Burke and Hare

• BURKE AND HARE (DVD MOVIE)

Studio: Wea-des Moines Video Release Date: 09/29/2009 Run time: 91 minutes

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Holes

• ISBN13: 9780374332662
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

“With Henning Mankell having written his last Wallander novel and Stieg Larsson no longer with us, I have had to make the decision on whom to confer the title of best current Nordic writer of crime fiction . . . Jo Nesbø wins.” â€"Marcel Berlins, The Times (U.K.)

Two young women are found murdered in Oslo, both drowned in their own blood. Media coverage quickly reaches fever pitch: Could this be the work of a serial killer?
 
The crime scenes offer no coherent clues, the police investigation is stalled, and the one man who might be able to help doesn’t want to be found. Traumatized by his last case, Inspector Harry Hole has lost himself in the squalor of Hong Kong’s opi! um dens. Yet when he is compelled, at last, to return to Norwayâ€"his father is dyingâ€"Harry’s buried instincts begin to take over. After a female MP is discovered brutally murdered, nothing can keep him from the investigation.
 
There is little to go on: a piece of rope, a scrap of wool, a bit of gravel, an unexpected connection between the victims. And Harry will soon come to understand that he is dealing with a psychopath for whom “insanity is a vital retreat,” someone who will put him to the testâ€"in both his professional and personal livesâ€"as never before.
 
Ruthlessly intelligent and suspenseful, The Leopard is Jo Nesbø’s most electrifying novel yetâ€"absolutely gripping from first to last.In this flirtatious and insightful collection of verses, Christina Grey's poetry explores sensuality, culture, mental illness, relationships, and sin with passion and verve. Whether her playful and evocative voice is delving into the causes! and cures for attraction and repulsion, considering crime and! insanit y, or wrestling her way out of bed, this selection of work delivers with consistently high levels of emotional intensity and intelligence. The Hole Between Mine and Yours: Liquid Logic from a Dirty Tumbler includes "act of imperfect contrition," "A Lover's Knot is Love or Not," "Vanity is the Remedy for Loneliness," "dirty snow white," "empire waste of mind," and 50 more rhythmic, revelatory pieces to challenge, amuse, and enchant.

10th Anniversary Edition

 

Louis Sachar received great recognition for his groundbreaking story of Stanley Yelnats â€" a boy with a history of bad luck. As School Library Journal predicted in their starred review of the book when it was first published, “Kids will love Holes.” A decade later, the book is still quenching young readers’ thirst for a gripping story about a far-reaching family curse, friendship, adventure, endurance, and, finally, a genero! us helping of good karma.

 

Celebrate with this special 10th Anniversary Edition, which includes portraits of the author as a little brother (by his big brother), as a husband (by his wife), and as a father (by his daughter), along with photos and Louis Sachar’s 1999 Newbery acceptance speech. Vladimir Radunsky, who created the original iconoclastic cover illustration, has made new art from the familiar images. Wrapped in an acetate jacket, this edition is an appealing package that will be equally welcome in public, school, or home libraries.

 

Holes is a 1998 New York Times Book Review Notable Children's Book of the Year and the winner of the 1998 National Book Award for Young People's Literature, the 1999 Boston Globe - Horn Book Award for Fiction and the 1999 Newbery Medal.

"If you take a bad boy and make him dig a hole every day! in the hot sun, it will turn him into a good boy." Such is ! the reig ning philosophy at Camp Green Lake, a juvenile detention facility where there is no lake, and there are no happy campers. In place of what used to be "the largest lake in Texas" is now a dry, flat, sunburned wasteland, pocked with countless identical holes dug by boys improving their character. Stanley Yelnats, of palindromic name and ill-fated pedigree, has landed at Camp Green Lake because it seemed a better option than jail. No matter that his conviction was all a case of mistaken identity, the Yelnats family has become accustomed to a long history of bad luck, thanks to their "no-good-dirty-rotten-pig-stealing-great-great-grandfather!" Despite his innocence, Stanley is quickly enmeshed in the Camp Green Lake routine: rising before dawn to dig a hole five feet deep and five feet in diameter; learning how to get along with the Lord of the Flies-styled pack of boys in Group D; and fearing the warden, who paints her fingernails with rattlesnake venom. Bu! t when Stanley realizes that the boys may not just be digging to build character--that in fact the warden is seeking something specific--the plot gets as thick as the irony.

It's a strange story, but strangely compelling and lovely too. Louis Sachar uses poker-faced understatement to create a bizarre but believable landscape--a place where Major Major Major Major of Catch-22 would feel right at home. But while there is humor and absurdity here, there is also a deep understanding of friendship and a searing compassion for society's underdogs. As Stanley unknowingly begins to fulfill his destiny--the dual plots coming together to reveal that fate has big plans in store--we can't help but cheer for the good guys, and all the Yelnats everywhere. (Ages 10 and older) --Brangien Davis

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Foxy Brown

• Used - Like New

Set in modern day Britain, Harry Brown follow's one man's journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Charlie Creed-Miles. With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The compariso! ns are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its own, grimly but compellingly. Caine's Harry Brown, a retiree and former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insolent young thugs and lowlifes on the estate grounds. It's a lonely existence that only gets sadder when his wife dies and his pal is murdered; and when the police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit o! f street justice. The cops, who are mostly depicted as clueles! s and th oroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it will stick with you. --Sam GrahamSet in modern day Britain, Harry Brown follow's one man's journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and ! is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Charlie Creed-Miles. With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The comparisons are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its own, grimly but compellingly. Caine's Harry Brown, a retiree and former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insole! nt young thugs and lowlifes on the estate grounds. It's a lone! ly exist ence that only gets sadder when his wife dies and his pal is murdered; and when the police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit of street justice. The cops, who are mostly depicted as clueless and thoroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it w! ill stick with you. --Sam GrahamUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Music Video, Scene Access, SYNOPSIS: Set in modern-day Britain, Harry Brown follows one man's (Sir Michael Caine) journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his a! ctions bring him into conflict with the police, led by investi! gating o fficer DCI Frampton (Emily Mortimer) and Sergeant Hickock (Charlie Creed-Miles). ...Harry BrownUnited Kingdom released, Blu-Ray/Region B : it WILL NOT play on regular DVD player, or on standard US Blu-Ray player. You need multi-region Blu-Ray player to view it in USA/Canada: LANGUAGES: English ( Dolby DTS-HD Master Audio ), English ( Subtitles ), WIDESCREEN (2.35:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Music Video, Scene Access, SYNOPSIS: Michael Caine returns to the vengeance-fuelled chills of GET CARTER for this contemporary thriller in which he seeks to avenge the death of an elderly friend. Marking his feature film directorial debut, Daniel Barber presents a London that's a million miles away from the picturesque beauty of holiday brochures but instead a hellish city where menace lurks in the shadows of its streets. When his friend is brutally murdered by a group of disaffected youths, ex-serviceman Harry Brown (Caine) ! takes the law into his hands, vowing to hunt each of the culprits down... ...Harry Brown (2009)She's brown sugar and spice...and if you don't watch it, she'll put you on ice! Delivering a performance worthy of "the Queen of the genre" (Los Angeles Times), Grier portrays one of the screens first action heroines with humor, sensitivity and steely determination. This electrifying revenge thriller explodes with all the sex appeal and cooler-than-cool attitude of its irresistible leading lady. Foxy Brown (Grier) has found her soulmate in an undercover narcotics investigator, but when he is brutally murdered, she swears vengeance against the crime ring responsible. Posing asa call girl to gain access to the ring's inner circle, Foxy discovers just how high the corruption extends, igniting a blistering war that takes her from the city streets to a remote drug laboratory to a breathtaking midair battle behind the controls of an airplane! But the most startling confrontations are y! et to come as she schemes to bring down her boyfriend's killer! s in way s they never could have imagined.Pam Grier, the voluptuous queen of blaxploitation movies (and the foxy title character of Quentin Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (Switchblade Sisters), made Coffy with Pam Grier the year before. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton Pam Grier, the voluptuous queen of blaxploitation movies (and the foxy title character of Quenti! n Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (Switchblade Sisters), made Coffy with Pam Grier the year before. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton

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Frontrunners

• FRONTRUNNERS is a smart and funny political documentary that follows the student council presidential campaign at one of the country s most prestigious public high schools: Stuyvesant High School in New York City. Follow 4 charming and idiosyncratic candidates as they navigate an electoral process that is said to be one of the most competitive at the high school level. These teenaged candidates fa

FRONTRUNNERS - DVD MovieCaroline Suh’s directorial debut, Frontrunners, is a charming, candid, and almost scary glimpse into the advanced levels of student sophistication in America’s top high schools. In this case, Suh, who has copious experience as a documentary producer, put her documentary research skills to use at Stuyvesant High School in Manhattan, an elite school in which students who aren’t admitted to Top Ten colleges are considered total rejects by their peers. Frontrunner! s charts the arc of the student government elections, starring four kids who want the presidency. Mike Zaytsev, Hannah Freiman, Alex Leonard, and George Zisiadis each select running mates and crave victory with varying degrees of conviction. The documentary is comprised of interview footage with the candidates at school, at home, and sometimes features the parents of the chosen few, expressing concerns about the pressures that are placed upon their children to succeed. The levels of competition are astounding; one scene capturing their "televised" debates shows how this school simulates real-life for hardcore training. Though the interviews are often hilarious, what really carries the film is ample footage of the candidates planning and enacting strategies. George, who seems to have been born to become president, cooks up political platforms as naturally as a thuggish student may shoot spitwads onto the classroom’s ceiling. Hannah, whose office bulletin board commemor! ates her trips to film festivals and theater events, is extrem! ely well -poised in front of a camera, resulting from what some may attribute to having been privy from her early years to a cultured lifestyle. So, as the presidential race unfurls, one sees not only a cutthroat teenage contest but also the ways in which students are shaped by their home lives. Frontrunners should provide proof to parents and public schools alike that youth will indeed succeed if one sets expectations and opportunity high. Bravo to Oscilloscope Laboratories (owned by Beastie Boy Adam Yauch) for releasing this humorously inspiring film. --Trinie Dalton

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Flight of the Red Balloon

• Inspired by Albert Lamorisse'sic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Mambo). Expanding on the key elements of Lamorisse's short - a young boy, a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preocc

Inspired by Albert Lamorisse's classic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Mambo). Expanding on the key elements of Lamorisse's short - a young boy, a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preoccupied mother, Suzanne (Academy Award® - Winner Juliette Binoche** of The English Patient, Caché). When a Taiwanese film ! student, Song (Fang Song), is hired to help care for Simon, a unique extended family is formed - utterly dependent on each other yet lost in separate dreams mirrored by a delicate, shiny red balloon.

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Frontrunners

• FRONTRUNNERS is a smart and funny political documentary that follows the student council presidential campaign at one of the country s most prestigious public high schools: Stuyvesant High School in New York City. Follow 4 charming and idiosyncratic candidates as they navigate an electoral process that is said to be one of the most competitive at the high school level. These teenaged candidates fa

FRONTRUNNERS - DVD MovieCaroline Suh’s directorial debut, Frontrunners, is a charming, candid, and almost scary glimpse into the advanced levels of student sophistication in America’s top high schools. In this case, Suh, who has copious experience as a documentary producer, put her documentary research skills to use at Stuyvesant High School in Manhattan, an elite school in which students who aren’t admitted to Top Ten colleges are considered total rejects by their peers. Frontrunner! s charts the arc of the student government elections, starring four kids who want the presidency. Mike Zaytsev, Hannah Freiman, Alex Leonard, and George Zisiadis each select running mates and crave victory with varying degrees of conviction. The documentary is comprised of interview footage with the candidates at school, at home, and sometimes features the parents of the chosen few, expressing concerns about the pressures that are placed upon their children to succeed. The levels of competition are astounding; one scene capturing their "televised" debates shows how this school simulates real-life for hardcore training. Though the interviews are often hilarious, what really carries the film is ample footage of the candidates planning and enacting strategies. George, who seems to have been born to become president, cooks up political platforms as naturally as a thuggish student may shoot spitwads onto the classroom’s ceiling. Hannah, whose office bulletin board commemor! ates her trips to film festivals and theater events, is extrem! ely well -poised in front of a camera, resulting from what some may attribute to having been privy from her early years to a cultured lifestyle. So, as the presidential race unfurls, one sees not only a cutthroat teenage contest but also the ways in which students are shaped by their home lives. Frontrunners should provide proof to parents and public schools alike that youth will indeed succeed if one sets expectations and opportunity high. Bravo to Oscilloscope Laboratories (owned by Beastie Boy Adam Yauch) for releasing this humorously inspiring film. --Trinie Dalton

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Cradle 2 the Grave (Widescreen Edition)

• When his daughter is kidnapped and held in exchange for diamonds, the leader of a crew of highly skilled urban thieves (DMX) forges an unlikely alliance with a Taiwanese Intelligence officer (Jet Li) to rescue her. Their race against the clock to find the precious stones ultimately unravels a plot to distribute a deadly new weapon of war.Running Time: 101 min. Format: DVD MOVIE Genre: AC

When his daughter is kidnapped and held in exchange for diamonds, the leader of a crew of highly skilled urban thieves (DMX) forges an unlikely alliance with a Taiwanese Intelligence officer (Jet Li) to rescue her. Their race against the clock to find the precious stones ultimately unravels a plot to distribute a deadly new weapon of war.

DVD Features:
Documentaries:"Ultimate Fighting Champions": Profiles on the martial artists and how they were incorporated in the movie "Choreography of ! the Camera": includes multi-angle car chases
Featurette:"The Descender Rig": Features camera invention that was made for the movie
Music Video:DMX's "X Gon' Give It to Ya"
Other:2 Hidden Bonuses: "Time Lapse Montage" Behind-the-scenes footage and "Rear Projection" featurette on the subway sequence
Theatrical Trailer

The intriguing cross-pollination of rap and kung-fu continues with Cradle 2 the Grave, co-starring high-profile rapper DMX and Hong Kong superstar Jet Li. Master thief Fait (DMX) hits a diamond exhange but comes away with a bag of black gems of mysterious origin. When a crime kingpin steals the gems from Fait, an international arms dealer kidnaps Fait's beloved daughter--and Fait can only get her back with the help of Su (Li), a Taiwanese intelligence agent tracking the gems himself. A summary of the plot doesn't do Cradle 2 the Grave justice; while the basic story elements suggest a dozen gene! ric action flicks, the cast (including Anthony Anderson, Gabr! ielle Un ion, and Kelly Hu) has genuine charisma and the movie layers action on top of action to strong effect. All in all, a much more engaging thrill ride than you'd expect. --Bret Fetzer

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How the Grinch Stole Christmas!

• video

The Grinch has been foiled!

The Grinch hates Christmas, and wants to stop it from coming. So he forms a devious plan: to impersonate Santy Claus and to steal the Whos’ Christmas presents. But come Christmas morning, the Grinch is in for a shocking surprise. He did not stop Christmas from coming! And the Grinch realizes something new. That maybe Christmas doesn’t come from a store. That maybe Christmas . . . perhaps . . . means a little bit more!

Now always available with a foil cover!You're a mean one, Mr. Grinch. But are you rotten enough to ruin Whoville's Christmas Whobilation this year, even after Cindy Lou Who nominates you to be the Cheermeister of the event? Based on Dr. Seuss's wacky and wonderful classic picture book, How the Grinch Stole Christmas and the motion picture screenplay of the same name, th! is novelization elaborates on the story of a holiday gone awry. Little Cindy Lou Who, her cheerfully dopey dad, Lou Lou Who, her semi-delinquent teenage brothers Stu and Drew Lou Who, the Martha Stewartesque Martha May Whovier, and the nastiest, most cynical, evil-hearted Grinch around star in this Christmas comedy. Seventeen color photos from the film are included. (Ages 8 to 12) --Emilie Coulter

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