! Typically, this skeleton is as much plot as Linklater provide! s; as us ual, he's more interested in concentrating his talents on observing the casual, playful conversations between his leads. His tight time frame allows the characters to say anything to one another, and topics ranging from politics to past romances to fears of the future flow with subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.
Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelations and heated exchanges flow in a stream-of-consciousness style, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --! Dave McCoyStudio: Warner Home Video Release Date: 11/09/2010This romantic, witty, and ultimately poignant glimpse at two strangers (Ethan Hawke and Julie Delpy) who share thoughts, affections, and past experiences during one 14-hour tryst in Vienna somehow remains writer/director Richard Linklater's (Dazed and Confused, Slacker) most overlooked gem. Delpy, a stunning, low-key Parisian, meets the stammering American Hawke, as the two share a Eurorail seat--she's starting school in Paris, he's finishing a vacation. Their mutual attraction leads to an awkward meeting (beautifully played by each performer), and Hawke suggests that Delpy spend his remaining 14 hours in Vienna with him.
Typically, this skeleton is as much plot as Linklater provides; as usual, he's more interested in concentrating his talents on observing the casual, playful conversations between his leads. His tight time frame allows the characters to say anything to one another, and topic! s ranging from politics to past romances to fears of the futur! e flow w ith subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.
Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelations and heated exchanges flow in a stream-of-consciousness style, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --Dave McCoy
What does Haruna do when she does f! ind hers elf liking Yoh? She starts acting weird and avoiding him, that's what! When he confronts her about her strange behavior and encourages her to be honest with him, will she squash her feelings or confess her love?When her father dies, leaving her penniless and without prospects, Elizabeth Medford is faced with a horrible future: marriage to the utterly vile Harold Wetherby. Her family thinks he's brilliant choice, but Elizabeth has witnessed Wetherby's cruel nature and knows a life with him would be a miserable one. If only he didn't want to marry her...But for that to be the case, she would have to have a damaged reputation, and despite her father's missteps, Elizabeth's own name is pristine among society. So far...A brilliant plan is hatched: Elizabeth will organise her ruin and escape the betrothal, leaving her old life behind. The only hitch is the man she hopes will do the ruining - irresistible Alex Bainbridge, Duke of Beaufort. But he has secrets of his own that make El! izabeth Medford a woman he should avoid at all costs - for both their sakes. He insists he will have no part in her crazy scheme...no matter how tempting she may be.Mix six teenage girls and one '60s fashion icon (retired, of course) in an old Victorian-era boarding home. Add boys and dating, a little high-school angst, and throw in a Kate Spade bag or two . . . and you've got The Carter House Girls, Melody Carlson's new chick lit series for young adults! New York Debut The New Year promises to be lively for the Carter House girls. No sooner does the calendar page turn and the girls are forced to confront a whole load of difficulties. There is constant pressure from Mrs. Carter as the household prepares to participate in the high stakes Spring Fashion Week in New York City. Competition flares from all directions as the girls vie for top billing, premium outfits, and attention from favorite guys. Stresses mount and some personal challenges grow into serious problems. Will! the girls survive the big city experience and the even bigger! trials that come along with it?
Antonya Nelson is known for her razor-sharp depictions of contemporary family life in all of its sometimes sad, sometimes hilarious complexity. Her latest novel has roots in her own youth in Wichita, in the neighborhood stalked by the serial killer known as BTK (Bind, Torture, and Kill). A story of wayward love and lost memory, of public and private lives twisting out of control, Bound is Nelson's most accomplished and emotionally riveting work.
Catherine and Oliver, young wife and older entrepreneurial husband, are negotiating their ! difference in age and a plethora of well-concealed secrets. Ol! iver, no w in his sixties, is a serial adulterer and has just fallen giddily in love yet again. Catherine, seemingly placid and content, has ghosts of a past she scarcely remembers. When Catherine's long-forgotten high school friend dies and leaves Catherine the guardian of her teenage daughter, that past comes rushing back. As Oliver manages his new love, and Catherine her new charge and darker past, local news reports turn up the volume on a serial killer who has reappeared after years of quiet.
In a time of hauntings and new revelations, Nelson's characters grapple with their public and private obligations, continually choosing between the suppression or indulgence of wild desires. Which way they turn, and what balance they find, may only be determined by those who love them most.
Brought to New England and bound into servitude to pay her father's debts, Alice Cole, at fifteen, can barely remember the time when she was not a servant to John Morton. His daughter, Nabbyâ€"only three years older than Aliceâ€"begins as Alice's childhood co! mpanion, but when Nabby weds, she becomes Alice's mistress. Bu! t the ma rriage is not what it appears, and Alice, endangered by its storm, defies her new master and the law, and escapes to Boston. Impulsively stowing away on a ship to Satucket on Cape Cod, Alice believes that she has left her old life and her secrets behind. Yet in a time of unrest and uncertainty, as political and personal stakes rise and intertwine, she discovers that freedom, friendship, trust, and love each have a price far greater than she ever imagined.
France released, Blu-Ray/Region A/B/C : it WILL NOT play on regular DVD player. You need Blu-Ray DVD player to view this Blu-Ray DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS-HD Master Audio ), French ( Dolby Digital 2.0 ), French ( Dolby DTS-HD Master Audio ), French ( Subtitles ), WIDESCREEN (2.35:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Featurette, Filmographies, Interactive Menu, Scene Access, SYNOPSIS: Corky, a tough female ex con and her lover Violet concoct a scheme to steal ! millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser. SCREENED/AWARDED AT: Fantasporto Awards, Stockholm Film Festival, ...Bound ( The Business )Destined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of Mafia money. Their scheme runs into a series of escalating complications, until their very survival depends on split-second timing and criminal ingenuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that severa! l critics (including Roger Ebert) placed it on their top-ten l! ists for 1996. --Jeff ShannonYOUNG XING XING IS BOUND.
Bound to her late father's second wife and daughter. Bound to a life of servitude as a young girl in ancient China, where a woman is valued less than livestock. Bound to be alone, with no parents to arrange for a suitable husband. Xing Xing spends her days taking care of her half sister, Wei Ping, who cannot walk because of her foot bindings, the painful tradition for girls who are fit to be married. Even so, Xing Xing is content to practice her gift for poetry and calligraphy, and to dream of a life unbound by the laws of family and society.
But all of this is about to change as Stepmother, who has spent nearly all of the family's money, grows desperate to find a husband for Wei Ping. Xing Xing soon realizes that this greed and desperation may threaten not only her memories of the past, but also her dreams for the future.
Alice Cole spent her first seven years living in t! wo smoky, crowded rooms in London with her family. But a new home and a better life waited in the colonies, or so her father promisedâ€"a bright dream that turned to ashes when her brothers and mother took ill and died during the arduous voyage. Arriving in New England unable to meet the added expenses incurred by their misfortunes at sea, her father bound Alice into servitude to pay his debts.
By the age of fifteen, Alice can barely remember the time when she was not a servant to John Morton and his daughter, Nabby. Though work fills her days, life with the Mortons is pleasant; Mr. Morton calls Alice his "sweet, good girl," and Nabby, only three years older, is her friend, companion, and now newly married, her mistress.
But Nabby's marriage is not happy, and soon Alice is caught up in its storm; seeing nothing ahead but her own destruction, she defies her new master and the law and runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and ! her lawyer companion, Eben Freeman. Frightened and alone, Alic! e impuls ively stows away on their ship to Satucket on Cape Cod, where the Widow Berry offers Alice a bed and a job making cloth in support of the new boycott of British wool and linen.
At Widow Berry's, Alice believes her old secret is safe, until it becomes threatened by a new one. As the days pass, the political and the personal stakes rise and intertwine, ultimately setting off a chain of events that will force Alice to question all she thought she knew. Bound by law, society, and her own heart, Alice soon discovers that freedomâ€"as well as gratitude, friendship, trust, and loveâ€"has a price far higher than any she ever imagined.
Library Journal hailed Sally Gunning's previous novel, The Widow's War, as "historical fiction at its best." With Bound, this wonderfully talented writer returns to pre-Revolutionary New England and evokes a long-ago time filled with uncertainty, hardship, and promise.
Alice Cole spent her first seven years living! in two smoky, crowded rooms in London with her family. But a new home and a better life waited in the colonies, or so her father promisedâ€"a bright dream that turned to ashes when her brothers and mother took ill and died during the arduous voyage. Arriving in New England unable to meet the added expenses incurred by their misfortunes at sea, her father bound Alice into servitude to pay his debts.
By the age of fifteen, Alice can barely remember the time when she was not a servant to John Morton and his daughter, Nabby. Though work fills her days, life with the Mortons is pleasant; Mr. Morton calls Alice his "sweet, good girl," and Nabby, only three years older, is her friend, companion, and now newly married, her mistress.
But Nabby's marriage is not happy, and soon Alice is caught up in its storm; seeing nothing ahead but her own destruction, she defies her new master and the law and runs away to Boston. There she meets a sympathetic widow named Lyddie Berry! and her lawyer companion, Eben Freeman. Frightened and alone,! Alice i mpulsively stows away on their ship to Satucket on Cape Cod, where the Widow Berry offers Alice a bed and a job making cloth in support of the new boycott of British wool and linen.
At Widow Berry's, Alice believes her old secret is safe, until it becomes threatened by a new one. As the days pass, the political and the personal stakes rise and intertwine, ultimately setting off a chain of events that will force Alice to question all she thought she knew. Bound by law, society, and her own heart, Alice soon discovers that freedomâ€"as well as gratitude, friendship, trust, and loveâ€"has a price far higher than any she ever imagined.
Library Journal hailed Sally Gunning's previous novel, The Widow's War, as "historical fiction at its best." With Bound, this wonderfully talented writer returns to pre-Revolutionary New England and evokes a long-ago time filled with uncertainty, hardship, and promise.
[Siren Menage Everlasting: Erotic Fantasy M! enage a Trois Romance, M/F/M, BDSM, spanking] Megan Starke has never been special to anyone. With an unrewarding job and a failed marriage, no one would confuse her life with a fairy tale. So when she is kidnapped and taken to a magical world to be the grand prize in a fierce and bloody tournament, she isn't sure if she is in a dream or a nightmare. Beckett Finn was supposed to be Prince Charming. He and his brother, Cian, were to inherit the throne of the Seelie Fae and rule over a fantasy kingdom. But the thrust of a traitor's blade stole that future. Now the brothers are fading, cursed by their royal blood unless they find a mate who can restore them. When Beck sees Meg, her body calls to him and he knows she is the key to their salvation. Bound by passion and fate, it's time for Meg to find her happily ever after. ** A Siren Erotic RomanceThis thrilling and thoroughly captivating theatrical hit from Disney has become an instant favorite with audiences of all ages. You'l! l lose your heart to Chance, a fun-loving American bulldog pup! ; Sassy, a hilarious Himalayan cat who lives up to her name; and Shadow, a wise old golden retriever -- all of whom express themselves with very familiar human voices! The adventure begins when the loving owners of these irresistible pets are forced to leave them in the temporary care of a friend who lives hundreds of miles away. But after several days, the worried animals begin to think their family must be in trouble, so they decide to head for home. On their incredible journey across the ruggedly beautiful Sierras, they encounter unexpected surprises from man, beast, and nature alike. It's an unforgettable story of love, courage, and devotion that will delight and inspire generations to come!Walt Disney studios had previously adapted Sheila Burnford's classic animal-adventure novel The Incredible Journey in 1963, and the story proves just as durable in this popular 1993 version, in which the heroic trio of animals are given voices provided by Don Ameche, Michael J. Fox, an! d Sally Field. They don't actually speak (like the clever critters in Babe), but we hear their "voices" as the lost household pets--Shadow the golden retriever, Chance the bulldog, and Sassy the cat--survive a harrowing series of adventures as they struggle to find their way home. Perfect entertainment for kids, this frequently clever movie offers an abundance of wildlife and beautiful location scenery, and the vocal performances by Ameche, Fox, and Field are surprisingly effective. A hit with parents and children alike, the film was followed by a sequel in 1996. --Jeff Shannon
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