Columbia River Knife and Tool 5150 Hole in One

• 420J2 Stainless Steel
• Blade locked open and closed
• Non-reflective bead blast finish
• Razor edge knife
• Blade and frame have durable non-reflective bead-blast finish

If you need a lightweight, totally ambidextrous utility knife, consider this Hole In One utility knife. The innovative design includes a finger hole that allows greater control of the blade, making it suitable for intricate work while maintaining a firm grip. The 2.5in. blade features a razor sharp edge and is easy to clean. Easy, one-hand opening; includes carabiner that allows knife to hang securely to belt loops, D-rings, webbing or lanyards. Knives (qty.): 1, Blades (qty.): 1

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Fantastic Mr. Fox: Movie Tie-in Edition

• ISBN13: 9780142414552
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

New look for this backlist classic favourite, read by Roald Dahl, himself. Boggis, Bunce and Bean are just about the nastiest and meanest three farmers you could meet -- and they hate Mr Fox! They are determined to catch him, and lie outside his hole, ready to shoot, starve or dig him out. Of course, fantastic Mr Fox has other plans. Tale of a family hero.In the tradition of The Adventures of Peter Rabbit, this is a "garden tale" of farmer versus vermin, or vice versa. The farmers in this case are a vaguely criminal team of three stooges: "Boggis and Bunce and Bean / One fat, one short, one lean. / These horrible crooks / So different in looks / Were nonetheless equally mean." Whatever t! heir prowess as poultry farmers, within these pages their sole objective is the extermination of our hero--the noble, the clever, the Fantastic Mr. Fox. Our loyalties are defined from the start; after all, how could you cheer for a man named Bunce who eats his doughnuts stuffed with mashed goose livers? As one might expect, the farmers in this story come out smelling like ... well, what farmers occasionally do smell like.

This early Roald Dahl adventure is great for reading aloud to three- to seven-year-olds, who will be delighted to hear that Mr. Fox keeps his family one step ahead of the obsessed farmers. When they try to dig him out, he digs faster; when they lay siege to his den, he tunnels to where the farmers least expect him--their own larders! In the end, Mr. Fox not only survives, but also helps the whole community of burrowing creatures live happily ever after. With his usual flourish, Dahl evokes a magical animal world that, as children, we alwa! ys knew existed, had we only known where or how to look for i! t. (G reat read aloud for any age; written at a 9- to 12-year-old reading level)

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United Cutlery UC2772 Expendables Kunai Thrower Set with Sheath, 3-Piece

• 12-Inch overall length
• Perfectly balanced
• AUS-6 stainless steel blade
• Cord wrapped handle
• Nylon belt sheath with leg strap and belt loop

United Cutlery - The Expendables Kunai Throwing Knife Set. Model: UC2772. Features three perfectly balanced throwing knives constructed of a single piece of black anodized steel. 12 overall. 6 1/2" double-edged blade. Black cord wrapped handle with finger hole. Custom black nylon sheath with boot clip and leg strap for multiple carrying options. Officially licensed.

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Closer (Tunnels Book 4)

• ISBN13: 9780545201155
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Moving up? The LAPD is looking for a new chief and Will Pope thinks he has the inside track. He soon has an unexpected rival for the job: Brenda (Best Actress Emmy® and Golden Globe® winner Kyra Sedgwick). And Brenda has an unexpected ally helping groom her for the selection process: Capt. Raydor. The contest for chief is only one of the ingenious, suspenseful, often funny storylines that makes Season Six of The Closer stellar entertainment. Join the squad as Sanchez looks after an orphaned boy, Tao goes undercover as a biker dude, Provenza and Flynn date airline attendants (turns out one of them has a corpse in her bathtub) and Brenda finds her family Christmas rudely interrupted by crime. Ky! ra Sedgwick's Brenda Johnson is one of TV's most compelling, complicated, and likable heroines. Johnson makes The Closer much more than just the well-written, crisply paced police procedural that it is. The viewer feels invested in Johnson's neurotic private life, marriage, and family, as well as in her political ambitions at the Los Angeles Police Department and in her relationships with her coworkers. In fact, The Closer hits its stride in season six as not just a fantastic showcase for Sedgwick's Emmy-winning acting talents, but also for the ensemble that helps her shine. J.K. Simmons, Corey Reynolds, Robert Gossett, G.W. Bailey, and Michael Paul Chan are among the all-too-human but motivated law-enforcement officials surrounding Johnson. Jon Tenney continues to be the super-supportive best husband ever, FBI agent Fritz, and season six shows Fritz and Brenda settling into their new marriage, with just a few speed bumps. The other big theme of this season is! the LAPD's search for a new police chief. Brenda's boss, Will! Pope (S immons), thinks he has the job in the bag, but suddenly there's a dark horse in the race--Deputy Chief Johnson herself. Mary McDonnell reprises her role as the officious Captain Raydor. Season six features plenty of gripping crime solving and just the right amount of humanity to keep lovers of The Closer entranced. Extras include lots of outtakes and deleted scenes, and an in-depth interview with Sedgwick on how she, and Brenda, have grown over the course of the show. --A.T. HurleyThe Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineers and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Su! perbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format.Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross it's a dizzying supernova of emotions, as Nichols and Marber adroitly construct various scenes out of their lives that pair them again and again in various permutations of passion, heartbreak, anger, sadness, vengeance, pleading, deception, and most importantly, brutal honesty. I! t's only until you're more than halfway through the movie that! you'll have to ask yourself exactly why you are watching such a beautifully tragic tale, as Closer is basically the ickiest, grossest, most dysfunctional parts of all your past relationships strung together into one movie. Ultimately, it falls to the four actors to draw you deeper into the story; all succeed relatively, but it's Law and Owen whose characters will cut you to the quick. Law proves that yet again he's most adept at playing charming, amoral bastards with manipulative streaks, and Owen is nothing short of brilliant as the character most turned on by the energy inherent in destructive relationships--whether he's on the giving or receiving end. --Mark EnglehartA witty, romantic, and very dangerous love story about chance meetings, instant attractions, and casual betrayals. CLOSER is director Mike Nichols' critically acclaimed look at four strangersâ€"Julia Roberts, Jude Law, Natalie Portman and Clive Owenâ€"with one thing in common: each other.Four extremely beauti! ful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross it's a dizzying supernova of emotions, as Nichols and Marber adroitly construct various scenes out of their lives that pair them again and again in various permutations of passion, heartbreak, anger, sadness, vengeance, pleading, deception, and most importantly, brutal honesty. It's only until you're more than halfway through the movie that you'll have to ask yourself exactly why you are watching such a beautifully trag! ic tale, as Closer is basically the ickiest, grossest, most dy! sfunctio nal parts of all your past relationships strung together into one movie. Ultimately, it falls to the four actors to draw you deeper into the story; all succeed relatively, but it's Law and Owen whose characters will cut you to the quick. Law proves that yet again he's most adept at playing charming, amoral bastards with manipulative streaks, and Owen is nothing short of brilliant as the character most turned on by the energy inherent in destructive relationships--whether he's on the giving or receiving end. --Mark Englehart

Closer to victory...or closer to death? An army of darkness is on the march: Who won't escape with their life? The fourth book in the New York Times Bestselling TUNNELS series!

At long last reunited with his dad, Will now spends his days exploring the "land of the second sun," decoding the cryptic glyphs carved into its three mysterious temples--or eyeing the wild animals with renegade girl Elliott. Chester, meanwhile, has finally returned T! opsoil, where his homecoming is rapidly becoming a horror show. But an army of darkness is on the march. And the ruthless Rebeccas have once more cheated death. With a corps of cold-blooded Limiters at their command, they're determined to hunt Will to the bitter innards of the earth. This time, who WON'T escape with their life?

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Critters 2: The Main Course Poster Movie French 27x40

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Critters 2: The Main Course French Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

When two-year-old Krite eggs hatch, a new litter of bloodthirsty hairballs is unleashed.Critters 2: The Main Course reproduction poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

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Erin Brockovich

• Widescreen

A real woman. A real story. A real triumph. Julia Roberts stars as Erin Brockovich, a feisty young mother who fought for justice any way she knew how. Desperate for a job to support herself and her three children, she convinces attorney Ed Masry (Albert Finney) to hire her, and promptly stumbles upon a monumental law case against a giant corporation. Now, Erin's determined to take on this powerful adversary even though no law firm has dared to do it before. And while Ed doesn't want anything to do with the case, Erin won't take "no" for an answer. So the two begin an incredible and sometimes hilarious fight that will bring a small town to its feet and a huge company to its knees.Much will be made of Julia Roberts's wardrobe in Erin Brockovich--a brash parade of daring hemlines and Wonderbra confidence. Roberts is unabashedly sexy in the title role of this fact-based comedy-d! rama, but she and director Steven Soderbergh are far too intelligent to rely solely on high heels and cleavage. Susannah Grant's brassy screenplay fuels this winning combination of star, director, and material, firing on all pistons with maximum efficiency. With Ed Lachman, his noted cinematographer from The Limey, Soderbergh tackles this A-list project with the fervor of an independent, combining a no-frills look with kinetic panache and the same brisk editorial style he used in the justly celebrated Out of Sight.

Broke and desperate, the twice-divorced single mom Erin bosses her way into a clerical job with attorney Ed Masry (Albert Finney), who's indebted to Erin after failing to win her traffic-injury case. Erin is soon focused on suspicious connections between a mighty power company, its abuse of toxic chromium, and the poisoned water supply of Hinkley, California, where locals have suffered a legacy of death and disease. Matching the dramatic potency! of Norma Rae and Silkwood, Erin Brockovich filte rs cold facts through warm humanity, especially in Erin's rapport with dying victims and her relationship with George (superbly played by Aaron Eckhart), a Harley-riding neighbor who offers more devotion than Erin's ever known. Surely some of these details have been embellished for dramatic effect, but the factual basis of Erin Brockovich adds a boost of satisfaction, proving that greed, neglect, and corporate arrogance are no match against a passionate crusader. (Trivia note: The real Erin Brockovich appears briefly as a diner waitress.) --Jeff Shannon

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Dr. Dolittle 2

• TESTED

Superstar Eddie Murphy is back as Dolittle, the beloved doctor with the up-ROAR-ious critter-communicating talents. This time around Dolittle plays Cupid to bumbling circus bear to help a group of forest creatures save their habitat. With the aid of his mangy, madcap animal friends, Dolittle must teach this overgrown teddy the ways of true romance in time to save his species and his home!It's only a marginal improvement, but Dr. Dolittle 2 defies the odds by rising above its popular 1998 predecessor (and once again, let's not confuse these movies with the earlier Rex Harrison musical). Eddie Murphy cakewalks through his title role with the confident professionalism of a comedian who knows when to share the spotlight--especially when he's being upstaged by a bunch of animals who steal all the punch lines. And once again the movie's aimed at a preteen audience, so many of those pu! nch lines involve flatulence, bodily functions, and frequent use of the word butt.

The difference this time: Dr. Dolittle has settled into his talk-to-the-animals routine; his 16-year-old daughter (Raven-Symone) is getting to be a feisty handful (it turns out she's coping with a hereditary gift); and his lawyer wife (Kristen Wilson) is representing him in a trial against corporate villains who want to clear-cut a local forest. Naturally, the local critter mafia (their Don is a beaver... fugeddaboutit!) want Dolittle to fight for their cause, and this involves the successful mating of an endangered bear and a domesticated circus bear who's forgotten all the bear necessities of life in the wild. The bears are voiced by Lisa Kudrow and Steve Zahn, and they almost steal the show, but the whole menagerie (with digitally animated "talking") is equally amusing. Adults might wish that the filmmakers had tried harder to make a truly memorable sequel, but this is a movie ! for kids, and they're going to love it without quibbling. -! -Jeff Sh annon

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Cranford

• The BBC drama series adapted from Mary Gaskellsic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change? For spinsters Deborah Jenkyns, the

Romantic Comedy. Alex (Luke Wilson) is an author whose writer's block and gambling debts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertent! ly influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerRomantic Comedy. Alex (! Luke Wilson) is an author whose writer's block and gambling de! bts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertently influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including ! a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerSixteen-year-old Poppy (Emma Roberts) is an LA teen diva who does what she wants, whenever she wants. But after an over-the-top prank pushes her father one step too far, she finds herself shipped off to the one place where everything will change: a British boarding school. No cell phones, no designer clothes…no way. Desperate to break free, she sets in motion the ultimate escape plan involving the head mistress’ son â€" only to discover that this could be the reason she wants to stay. Co-starring Natasha Richardson, Aidan Quinn and Nick Frost, it’s the fun and fabulous comedy that’s LO! L!Poppy is spoiled. OK, Poppy, played with snottiness galore b! y Emma R oberts, is wicked-impossible spoiled. As Wild Child opens, Poppy is having a Malibu meltdown, in the form of tossing her dad's new girlfriend's clothing into the Pacific--just past the edge of the infinity pool."This is the last straw, Poppy!" shouts her beleaguered dad (Aidan Quinn). So off Poppy goes--to boarding school. In England. Where it rains 200 days a year. If Wild Child has few plot surprises--selfish kid learns respect for others with the persistence and pluck of new friends and firm authority figures--it's still a lark, because of Roberts' considerable winsomeness, and because the dreaded England ends up showing considerable charm of its own, which draws in both Poppy and the viewer. Wild Child also marks something bittersweet, the last film performance of Natasha Richardson (who died in March 2009). Richardson is winning as the strict but warmhearted headmistress, Mrs. Kingsley, making what could be a one-dimensional cha! racter complex. Richardson is totally self-possessed and grounded, and in some shots seems to channel another great British actress, Emma Thompson. The great Scottish character actress Shirley Henderson also makes a sly appearance as the matron with the dry-as-bone-china sense of humor.

"What is this place, Hogwarts?" sneers Poppy when she arrives at the remote 18th-century school. But what happens to Poppy is in some ways even more transformative than the goings-on at Harry Potter's school. Flirtation and love hover in the air, in the form of Mrs. Kingsley's hunky son, Freddie (Alex Pettyfer); and Poppy's flair for the dramatic and her undeniable leadership skills galvanize the student body, in some unexpected ways. Roberts is becoming a delightful actress with charisma and nuance. And as the Wild Child is tamed, a lovely young woman is revealed. --A.T. HurleyThe BBC drama series adapted from Elizabeth Gaskell's classic novels of small town gossip, secrets and ro! mance. 1842. Cranford, a market town in the North West of Engl! and, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change… For spinsters Deborah Jenkyns, the arbiter of correctness in Cranford, and Matty, her demurring sister, the town is a hub of intrigue - a handsome new doctor Frank Harrison from London has arrived; a retired Captain and his daughters have moved in to a house opposite and the preparations for Lady Ludlows garden party are underway. Everyone - from charming rogue Dr Marshland to mean Mrs Jamieson and her lap dog talks, and is talked about, behind closed doors. The town also has its secrets which it slowly reveals: Mattys encounter with an old flame at the garden party; Lady Ludlows gardener, Mr Carter, teaching a gypsy lad to read and write; the wild expectations of the May Day celebrations and - news that shakes the town when it is revealed - a railway line from Manchester is! coming to Cranford.Adapted from Elizabeth Gaskell's novels, the five-episode miniseries Cranford focuses on female characters in the 19th-century British town to thematically contemplate encroaching modernity in rural England. With the camera roving house to house, each drama within the grander story is constructed of scenes featuring dialogue between several gossipy ladies obsessed with moral code, romantic ideas about courtship, and social occasions. Three main characters, the ever-appropriate Deborah Jenkyns (Eileen Atkins), her sweet sister, Matilda (Judi Dench), and their younger, more savvy relative, Miss Smith (Lisa Dillon), continuously weigh in on situations, providing a dependable view when other ladies, like the nosey Miss Pole (Imelda Staunton) are too judgmental. In fine period dress, the women of Cranford remind the viewer of how little action was needed in their small-town lives to provide unceasing entertainment. The series'most intriguing asp! ect lies not in the ample female conversation but rather in it! s displa y of earlier technologies and ways of life. Part One, for example, quickly launches a main narrative thread that runs throughout the series, namely the arrival and assimilation of London doctor, Frank Harrison (Simon Woods), into village society. Dr. Harrison's medical practices, such as his refusal to amputate a man's arm because it's broken, are all the more radical because they are so fundamental by today's standards. In subsequent episodes, he recommends Miss Smith get spectacles to cure her headaches, and saves his love's life by cooling her fever after conservative doctor, Dr. Morgan (John Bowe), recommends the old school practice of burying her in blankets in front of a raging fire. In Part Two, Lady Ludlow (Francesca Annis) throws a garden party at her estate, treating all the women in their fancy hats to a new novelty: ice cream. This scene foreshadows Ludlow's future concern at a railroad plan involving her land that would connect Cranford to Manchester, symbolizin! g the ruin of this idyllic setting.

In fact, fluffy and clever as some scenes are, death and rebirth assert themselves in each showing, both physically and idealistically. Part Four shows an auctioning off of a deceased man's antiques, and focuses on issues of class and women's education, as Mr. Carter teaches a peasant boy to read while his assistant fumes at her trappings as a seamstress. Part Five ushers in a new period of medical emergencies, securing Dr. Harrison's shaky position in town. In total, Cranford offers a powerful, if sentimental, look at how death begets life, love, and passion. --Trinie Dalton

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