Thursday, November 17, 2011

Formula 51 : Widescreen Edition

  • Widescreen
THIS IS THE STORY OF ELMO MCELROY, A STREETWISE AMERICAN MASTER CHEMIST, WHO HEADS TO ENGLAND TO SET UP HIS LAST BIG DEAL - TOINTRODUCE A NEW DESIGNER DRUG TO THE EURPOEAN MARKET.MCELROYSOON BECOMES EMBROILED IN A WAR OF DOUBLE-DEALING AS HE'S ESCORTED AROUND LIVERPOOL'S UNDERWORLD.Wildly entertaining but riddled with as many plot holes as bullets, Formula 51 (a.k.a. The 51st State) is a love-it-or-hate-it action comedy that plays like Tarantino on the Thames. It's a raucous hash, highlighted by the sheer pleasure of Samuel L. Jackson--in a kilt, no less--strutting his stuff among denizens of the British underworld. As freelance chemist Elmo McElroy (whose tartan attire remains glibly unexplained), Jackson is perfectly teamed with The Full Monty's Robert Carlyle in a scam involving Elmo's latest pharmaceutical concoction, which promises to yield a fortune on th! e rave scene. This attracts a loopy British kingpin (the outrageous Rhys Ifans), Elmo's vengeful ex-boss (Meat Loaf), a corrupt cop (Sean Pertwee), and a lovely assassin (Emily Mortimer) with a soft spot for Carlyle. They're all given generous helpings of Stel Pavlou's profanely zesty dialogue, and director Ronny Yu strikes a breezy balance between rampant hilarity and blood-splattering violence. If that's your cup of tea, Formula 51 guarantees a satisfying buzz. --Jeff ShannonWildly entertaining but riddled with as many plot holes as bullets, Formula 51 (a.k.a. The 51st State) is a love-it-or-hate-it action comedy that plays like Tarantino on the Thames. It's a raucous hash, highlighted by the sheer pleasure of Samuel L. Jackson--in a kilt, no less--strutting his stuff among denizens of the British underworld. As freelance chemist Elmo McElroy (whose tartan attire remains glibly unexplained), Jackson is perfectly teamed with The Full Monty's Robert Carlyle in a scam involving Elmo's latest pharmaceu! tical co ncoction, which promises to yield a fortune on the rave scene. This attracts a loopy British kingpin (the outrageous Rhys Ifans), Elmo's vengeful ex-boss (Meat Loaf), a corrupt cop (Sean Pertwee), and a lovely assassin (Emily Mortimer) with a soft spot for Carlyle. They're all given generous helpings of Stel Pavlou's profanely zesty dialogue, and director Ronny Yu strikes a breezy balance between rampant hilarity and blood-splattering violence. If that's your cup of tea, Formula 51 guarantees a satisfying buzz. --Jeff ShannonFORMULA 51: THIS IS THE STORY OF ELMO MCELROY, A STREETWISE AMERICAN MASTER CHEMIST, WHO HEADS TO ENGLAND TO SET UP HIS LAST BIG DEAL - TOINTRODUCE A NEW DESIGNER DRUG TO THE EURPOEAN MARKET.MCELROYSOON BECOMES EMBROILED IN A WAR OF DOUBLE-DEALING AS HE'S ESCORTED AROUND LIVERPOOL'S UNDERWORLD. *** - **** S.W.A.T: An arrested drug kingpin is transported by a Los Angeles Police Department S.W.A.T. team, led by Jackson's character, out of the city and into federal custody. Plans go awry when the kingpin offers $100 million to anyone who can free him. Starring: Samuel L. Jackson, Colin Farrell, Michelle Rodriguez, LL Cool J, Oliver Martinez.Wildly entertaining but riddled with as many plot holes as bullets, Formula 51 (a.k.a. The 51st State) is a love-it-or-hate-it action comedy that plays like Tarantino on the Thames. It's a raucous hash, highlighted by the sheer pleasure of Samuel L. Jackson--in a kilt, no less--strutting his stuff among denizens of the British underworld. As freelance chemist Elmo McElroy (whose tartan attire remains glibly unexplained), Jackson is perfectly teamed with The Full Monty's Robert Carlyle in a scam involving Elmo's latest pharmaceutical concoction, which promises to yield a fortune on the rave scene. This attracts a loopy Bri! tish kingpin (the outrageous Rhys Ifans), Elmo's vengeful ex-boss (Meat Loaf), a corrupt cop (Sean Pertwee), and a lovely assassin (Emily Mortimer) with a soft spot for Carlyle. They're all given generous helpings of Stel Pavlou's profanely zesty dialogue, and director Ronny Yu strikes a breezy balance between rampant hilarity and blood-splattering violence. If that's your cup of tea, Formula 51 guarantees a satisfying buzz. --Jeff Shannondvd

Wednesday, November 16, 2011

Afterglow AX.1 Controller for Xbox 360 - Blue "New for 2010"

  • Color coded circuit board and LED lighting system
  • Three modes of AFTERGLOW lighting for any mood: on, off, and vibration
  • Hardcore gamer control layout for the competitive edge
  • Available in three striking colors: green, blue, and red
  • Officially licensed by Microsoft
The AFTERGLOW family of controllers breaks new ground in form, features, and radiant aesthetics, delivering gamers an experience sure to have them glowing. The appearance of the AFTERGLOW controllers is defined by clear a polycarbonate body plastic, within which red, blue, or green circuit boards and components reside. Amplifying the theme, multitudes of LEDs within the controllers glow in hues matching the circuit board color. The result is a truly vibrant glow in both light and dark gaming situations. The AFTERGLOW AX.1 for the Xbox 360 is officially licensed by Microsoft so it features the proven ! ergonomic design of an official Xbox 360 controller. Each AFTERGLOW controller allows the player to adjust the LED settings to: on, off, or vibration (activates when controller rumble motors spin).

The Ant Bully

  • 18 different missions and boss fights inspired by the movie
  • Get an ant's-eye view of locations like Lucas' Yard, the Broken Glass Garden, Caterpillar Stables and the Frog Pond
  • Use telepathy to get help from your fellow ants -- have them form bridges, catapults and ladders to help traverse the environment
  • Face off against multiple threats - Wasps, termites, humans, pill bugs, spiders, earwigs, fleas and mosquitoes
  • Exciting aerial battles as you control a wasp for airborne combat
Lucas learns a lesson about bullying when he is pulled into the ant hole he has been tormenting.This movie novel is adapted from the new Warner Brothers movie Ant Bully. Lucas, the new kid on the block is picked on by the neighborhood bully, and in turn terrorizes the ant colony. The ants create a potion that shrinks Lucas to the size of an ant. They put him on trial, and find him guil! ty of crimes against the colony -- his sentence? To live and work as an ant! Lucas learns about teamwork and the importantce of friendship as he faces enemies like killer wasps, toads, and worst of all the extirminator. In the end, Lucas saves the colony and is returned to his normal size.Go pick on someone your own size!Product InformationThe Ant Bully tells a witty and heartwarming story about a 10-year old boywho embarks on a remarkable journey.  New in town friendless and tormentedby a neighborhood bully young Lucas Nickle has been taking out his frustrationon the innocent ant hill in his yard.  But one day the antsretaliate.  Using a magic potion the ants shrink Lucas down to ant sizeand sentence him to live like an ant in their colony.  In this strange newworld Lucas will learn important lessons about team work get a whole newperspective on life and ultimately discover the courage to stand up for himself.Based on the exciting journey of the digitally animated f! amily adventure The AntBully experience the perils of an ant's! world a s you evolve from recluse tohero in a quest to save the colony from extermination.Product Features Play as Lucas as you fight like an ant in a human sized world. Experience thrilling adventures like hand gliding and flying on wasps. Unleash your super strength and defy gravity. Use telepathy to overcome obstacles.Windows Requirements Windows 2000 XP 1.4 GHz Pentium III 1.2 GHz Athlon or 2220+ Sempron processor 256 MB of RAM DirectX 9.0 compliant Video Card GeForce 5 or better DirectX 9.0 compliant Audio Card CD-ROM drive 

Bowfinger

  • TESTED
BOWFINGER - DVD MovieFilmmakers often remark that it's just so hard to make a bad picture that few would take on the challenge if they weren't so naive. Steve Martin's Bobby Bowfinger is cut from that pattern, one of those sweet, indomitable operators of Hollywood who seem to be descended directly from Ed Wood (of Plan 9 from Outer Space infamy). To resurrect his ramshackle existence, Bowfinger opts to film his accountant's sci-fi spectacular, Chubby Rain, about aliens invading in raindrops. The snag is he needs to attach action megastar Kit Ramsey (Eddie Murphy), an actor so paranoid he counts the K's in scripts to uncover possible Ku Klux Klan influences. When his effort fails, Bowfinger hits on an ingenious scheme to film Ramsey without his knowledge, throwing his actors at the hapless star whenever he appears in public. Only Kit begins to believe he's being h! ounded by aliens for real, and runs hysterically to his guru (Terence Stamp) at a Scientology-clone group called MindHead, where people walk around in fine suits wearing white pyramids on their heads. Deprived of his star, yet not to be undone, Bowfinger hires a look-alike, Jiff (also Eddie Murphy), to fill in. The tone of the picture is sometimes flat, rather than deadpan, but that's nitpicking. The farce is quick and engrossing, and populated with terrific performances, especially by Eddie Murphy, whose dual role as Kit and Jiff showcases his character-building gift, and by Martin, whose Bowfinger, part con man and part would-be visionary, manages to capture your sympathies. Heather Graham's would-be actress cheerfully sleeps her way to the top like she knows she's supposed to, and Christine Baranski plays her shopworn method actor with myopic self-absorption. --Jim Gay

Tuesday, November 15, 2011

Zeikos ZE-CVAFN Auto Focus Macro Extension Tubes for Nikon

  • Photograph Bugs & Flowers
  • Auto Focus
  • Macro Photography
  • Great for Coin & Stamp Collections
Dramatization of the turbulent life of Bob Crane, popular for his role in the television program Hogan's heroes.
Genre: Feature Film-Drama
Rating: R
Release Date: 3-JUL-2007
Media Type: DVDAuto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a video equipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through the power of! his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerAuto Focus features a dazzling array of self-portraits by seventy-five of the world’s foremost contemporary photographers. Photography writer and curator Susan Bright provides a clear guide through this significant and dynamic genre, showing how issues of identityâ€"whether national, sexual, racial, personal, or artisticâ€"are key to understanding the work of many of today’s leading photographers.

This lavishly illustrated, accessible survey is organized into five thematic chapters: diaristic and autobiographical images; pictures of the body; the use of masks and m! asquerade; the return to studio portraiture and the photograph! ic album ; and performance, both public and private. An informative illustrated introduction explains the history of the photographic self-portrait from the 1840s to the late twentieth century, providing an invaluable context for the recent surge in artists̢۪ images of themselves.

From intimate images of introspection and those that consciously challenge notions of ethnicity and sexuality to dramatic, stylized photographs of dreamlike scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today.Auto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a vid! eo equipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through the power of his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerThe national bestselling author of Zodiac and Zodiac Umasked "will keep readers turning the pages" (Detroit Free Press) with the unsolved murder of Bob Crane, star of TV's "Hogan's Heroes." Seven years after the show's cancellation, Crane was found strangled and bludgeoned to death, his nude corpse surrounded by pornographic snapshots of himself with numerous women, homemade videotapes of the actor's S&M orgies-and few clues to the killer! 's identity.The Zeikos ZE-CVAFN Auto Focus Macro Extension Tub! es are p erfect for taking photos of flowers, bugs, coins, and any other close-up objects that you want. 3 tubes are provided (13mm, 21mm & 31mm). They can be used individually or in combination to obtain the desired effect. they are compatible with Nikon DSLR's or Film cameras.

Albino Alligator Poster B 27x40 Matt Dillon Gary Sinise Faye Dunaway

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Albino Alligator Style B 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Aurora only uses lock washer or embroidered eyes and nose for safety.An intense, all-star action-thriller, ALBINO ALLIGATOR is directed by Academy Award(R)-winner Kevin Spacey (1999 Best Actor -- AMERICAN BEAUTY). Matt Dillon (THERE'S SOMETHING ABOUT MARY), and Emmy-winner Gary Sinise (1998 Best Actor In A Miniseries Or Movie, GEORGE WALLACE) play brothers Dova and Milo ... a couple of small-time crooks suddenly in way over their heads! When a holdup goes terribly wrong, the robbers flee to a local bar, desperately taking everyone inside hostage! With nowhere to! run and time running out, it's a deadly situation where every second counts! Also starring Golden Globe-winner Faye Dunaway (1999 Best Supporting Actress, GIA) -- expect unexpected twists and turns, all leading to an incredibly explosive climax!Actor Kevin Spacey made his directorial debut in this uneven crime thriller that has the claustrophobic feel of a play. Matt Dillon, Gary Sinise, and William Fichtner play a trio of robbers who have just pulled a job gone wrong. On the run from the cops, they hide out in a basement bar, where they try to figure out their next move. There's a certain amount of urgency, however, because Sinise, the brains of the outfit, is badly wounded--which means that Fichtner, the group psycho, is allowed to run wild, terrorizing the barflies unlucky enough to be their hostages. As the cops swarm outside the bar--thinking these three are major criminals rather than small potatoes--tensions mount, mostly through misunderstanding. But it's all a lot! of talk, not nearly enough of it interesting, that pushes the! movie s lowly to its inevitable conclusion. --Marshall Fine One of 40 hatchlings, Adora needs the extra protective eye of Mother Alligator. Since she is an albino alligator, she cannot survive in the direct sunlight and is an easy target for predators. Rescued by a trio out fishing near her nest, Adora is taken to a local zoo where she will be placed in a habitat similar to where she was born.One of 40 hatchlings, Adora needs the extra protective eye of Mother Alligator. Since she is an albino alligator, she cannot survive in the direct sunlight and is an easy target for predators. Rescued by a trio out fishing near her nest, Adora is taken to a local zoo where she will be placed in a habitat similar to where she was born.Import only 1997 soundtrack music for a Kevin Spacey directed neo-noir thriller, Brook's work here turns into an interesting blend of his own style and smoky late night jazz interspersed with a variety of other instrumental touches. 4AD. 2006.Actor Kevin Spa! cey made his directorial debut in this uneven crime thriller that has the claustrophobic feel of a play. Matt Dillon, Gary Sinise, and William Fichtner play a trio of robbers who have just pulled a job gone wrong. On the run from the cops, they hide out in a basement bar, where they try to figure out their next move. There's a certain amount of urgency, however, because Sinise, the brains of the outfit, is badly wounded--which means that Fichtner, the group psycho, is allowed to run wild, terrorizing the barflies unlucky enough to be their hostages. As the cops swarm outside the bar--thinking these three are major criminals rather than small potatoes--tensions mount, mostly through misunderstanding. But it's all a lot of talk, not nearly enough of it interesting, that pushes the movie slowly to its inevitable conclusion. --Marshall Fine An intense, all-star action-thriller, Albino Alligator is the directorial debut from screen favorite Kevin Spacey.

Dova ! (Matt Dillon, Takers), Milo (Gary Sinise,! TV's CSI: New York) and Law (William Fichtner, Date Night) are small-time crooks who are in way over their heads. When a holdup goes terribly wrong, the robbers flee to a local bar, desperately taking everyone inside hostage. With nowhere to run and time running out, it's a deadly situation where every second counts. Also starring Faye Dunaway, Viggo Mortensen, and Skeet Ulrichâ€"unexpected twists and turns lead to an incredibly explosive climax in this must-see thriller!Albino Alligator reproduction poster print

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Glory Road (Widescreen Edition)

  • Very Black
COACH CARTER tells the inspiring true story of controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser hold! s together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry! ).--Steve WieckingCOACH CARTER tells the inspiring true! story o f controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes li! ke, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingAcademy Award nominee Samuel L. Jackson stars in the inspiring true story of controversial high school basketball c! oach Ken Carter, who benched his entire undefeated team for po! or acade mic performance, in order to teach his players the importance of education.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing,! adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingBased on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clich?©s he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in th! em (including pop star Ashanti, who features in a surprisingly! well-ha ndled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of "Stand and Deliver", "Hoosiers", "Dangerous Minds", and even "Dead Poet's Society" (one of the tougher players actually recites some inspirational poetry)."--Steve Wiecking"Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big ! Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve Wiecking
Genre: Drama
Rating: PG13
Release Date: 21-JUL-2009
Media Type: Blu-RayBased on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an u! nruly team of Richmond, California basketball players and teac! hes them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingCOACH CARTER tells the inspiring true story of controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a cer! tain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.The studio that brought you REMEMBER THE TITANS now delivers another winner with this exciting and inspirational true story of the team that changed college basketball -- and the nation -- forever! Josh Lucas (SWEET HOME ALABAMA) stars as future Hall of Fame coach Don Haskins of tiny Texas Western University, who bucks convention by simply starting the best players he can find: history's first all-African American lineup. In a turbulent time of social and political change, their unlikely success sends shock waves throu! gh the sport that follow the underdog Miners all the way to an! epic sh owdown with all-white, #1 ranked Kentucky for the National Championship!One of the greatest basketball games in NCAA history is immortalized in Glory Road, an engaging sports movie that dramatizes a pivotal milestone in the racial integration of college athletics. While it may not be as rousing as similar movies like Hoosiers or Friday Night Lights, this fact-based drama gains depth and substance from the groundbreaking achievement of Don Haskins (well-played by Josh Lucas), who coached the 1965-66 team from Texas Western University to the NCAA championship, using the first-ever all-black lineup in the championship game and forever changing the rules of college basketball. Texas Western's underdog season is followed from anxious start to glorious finish, as Haskins recruits many of his black star players from the North, including Bobby Joe Hill (Derek Luke) and Willie Cager (Damaine Radcliff), and this typically wholesome Disney film doesn't flinch from ! the harsh realities of racial tension (including player beatings and vandalized motel rooms) that Texas Western's black players had to struggle against as their victories began to draw national attention. Jon Voight (under heavy makeup) makes a memorable cameo appearance as legendary Kentucky coach Adolph Rupp, whose favored all-white team was no match for Texas Western, and Haskins' unforgettable achievement is celebrated in an end-credits sequence that demonstrates the positive ripple-effect of his color-blind coaching. Glory Road relies a bit too heavily on sports-movie clichés, but its shortcomings are easily overlooked in favor of its greater historical significance. --Jeff Shannon

Elephant: A Film By Gus Van Sant

  • Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant's (Good Will Hunting, Finding Forrester) Elephant takes us inside an American high school on one, single ordinary day that very rapidly turns tragic. Elephant demonstrates that high school life is a complex landscape where the vitality and beauty of young lives can shift from light to darkness with sur
From the groundbreaking director of GOOD WILL HUNTING and FINDING FORRESTER, GERRY stars Academy Award(R) winner Matt Damon (Best Original Screenplay, GOOD WILL HUNTING, 1997; THE BOURNE IDENTITY, OCEAN'S ELEVEN) and Casey Affleck (OCEAN'S ELEVEN, SOUL SURVIVORS) in a suspenseful and highly provocative story of two men pushed to the limit! A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns int! o an intense life-and-death journey that will test the strength of human endurance and ultimately, their friendship! Written by Damon, Affleck, and Director Gus Van Sant, this uncommonly compelling and starkly visualized film is a must-see motion picture that has earned the overwhelming praise of critics nationwide!In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit throug! h. Committed performances, flashes of dark humor, and a smatte! ring of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerFrom the groundbreaking director of Milk and Good Will Hunting, Gerry stars Matt Damon (The Adjustment Bureau) and Casey Affleck (Gone Baby Gone) in a suspenseful and highly provocative story of two men pushed to the limit.
A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately their friendship. Written by Damon, Affleck and director Gus Van Sant, this uncommonly compelling and starkly visualized film has earned the overwhelming praise of critics nationwide.In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and sur! real landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerWinner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant's (Good Will Hunting, Finding Forrester) Elephant takes us inside an Ameri! can high school on one, single ordinary day that very rapidly ! turns tr agic. Elephant demonstrates that high school life is a complex landscape where the vitality and beauty of young lives can shift from light to darkness with surreal speed. It's an ordinary high school day. Except that it's not.

DVD Features:
Featurette:On the Set of Elephant: "Rolling Through Time"
Full Screen Version
TV Spot:HBO Films Spot
Theatrical Trailer

Elephant, the elegant and unsettling movie from Gus Van Sant (My Own Private Idaho, Good Will Hunting), depicts students at a high school before and during a harrowing, Columbine-style shooting. The movie follows one young boy who takes over the wheel from his drunken dad while returning from lunch, then loops back in time and follows another student who crosses paths with the first, then loops back and follows another--all captured in long, unedited tracking shots that are serene and unhurried, even when two boys in camouflage gear, carrying h! eavy bags, arrive at the school and begin shooting. Elephant doesn't attempt to explain their behavior; it simply places the audience back in the brief yet interminable window of adolescence, when life is trivial and painfully important at the same time. Your reaction to Elephant will depend as much on your life experiences as anything in the movie itself. --Bret Fetzer

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