Friday, November 18, 2011

Thrilla in Manila

  • Officially Licensed
  • Highest Quality Recording
Studio: Lions Gate Home Ent. Release Date: 12/29/2009 Run time: 100 minutes Rating: RHe rocked the sport, shook the world, and changed their lives. Now, several decades after they met in the ring, ten of the sport's finest fighters tell what it was like to battle Muhammad Ali, the man many consider the best boxer ever. This brutally honest documentary recounts Ali's incomparable journey as seen through the eyes of those who stepped through the ropes and into history. Join these respected fighters as they weigh in on "The Greatest" and pay tribute to a living legend in this powerful and unforgettable film.

WHEN WE WERE KINGS - DVD MovieDecades ago, documentary filmmaker Leon Gast attempted to complete a feature about the 1974 "Rumble in the Jungle" championship bout between boxers Muhammad Ali and George Foreman in Kinshasa, Zaire. Sundry complications, though, held up the project until its release in 1996. It was well worth the delay. From Gast's per! spective of modern history, the six weeks Ali and Foreman were! forced to spend waiting in Africa for their fight to take place now looks like an important moment in America's cultural understanding of African American roots. In a nutshell, Ali had been stripped of his heavyweight champion title because his opposition to the Vietnam War-era draft had landed him in prison. Reigning champ Foreman agreed to a Don King-promoted match in Kinshasa, but after all parties got there the fight was put off. Gast captures the charismatic Ali, in the ensuing days and weeks, going out among the people and getting to know them while the more reclusive Foreman keeps to his own company. Meanwhile, King brings over black American artists such as James Brown and the Spinners to mix it up with African musicians. The sense of excitement and connection is thrilling, as is the boxing footage of Foreman and Ali finally taking swings at one another in a titanic duel. Writers George Plimpton and Norman Mailer, each of whom was covering the fight as journalists, are on h! and to recollect the details. Whether you're a fight fan or not, this is a unique experience and a fascinating insight into America's sense of identity. --Tom Keogh 'Smokin' Joe Frazier and Muhammad Ali fought three times, but it was their third and final epic encounter in the searing heat of the Philippines on October 1, 1975, that cemented
their rivalry and ended so dramatically that it continues to
provoke controversy. Combined with electrifying archival footage and exclusive interviews, Thrilla in Manila is Joe Frazier's story an absorbing, sad account of bitterness, religion, politics and racism, conveying both the depths of their rivalry as well as the explosive racial politics in America at the time. The pair had once been friends, with Frazier supporting Ali
when he was stripped of his boxing license for refusing to fight in Vietnam. But once Ali was back in the ring, their friendship soon turned into a vicious feud: Ali accused Frazier
of being a! traitor to his people and went from an anti-war and civil rig! hts lead er to an opportunist and narcissist willing to do anything to promote himself in the spotlight.

Good Night, and Good Luck (Widescreen Edition)

  • "Good Night, And, Good Luck" takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Jo
"Good Night, And, Good Luck." takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Joe Wershba in the CBS newsroom - defy corporate and sponsorship pressures to examine the lies and scar! emongering tactics perpetrated by McCarthy during his communist 'witch-hunts'. A very public feud develops when the Senator responds by accusing the anchor of being a communist. In this climate of fear and reprisal, the CBS crew carries on and their tenacity will prove historic and monumental.

DVD Features:
Audio Commentary:with George Clooney and Grant Heslov
Documentary:Good Night, and Good Luck companion piece
Theatrical Trailer

Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow,

Director George Clooney
who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Sen. Joseph McCarthy in 1953-54, and emerged as a triumphant truth-seeker against the abuses of corporate and governmental power.

David Strathairn as Edward R. Murrow
As played by David Strathairn, Murrow is a dogged realist, keenly aware of the smear tactics that will be employed against him; Clooney provides crucial backup as Murrow's "See It Now" producer and closest confidante Fred Friendly, forming a fierce but not entirely fearless triumvirate of broadcasting bravery with CBS chief William Paley (Frank Langella), who anxiously champions Murrow's cause under constant threat of rep! risals. While using crisp black-and-white cinematography (by Robert Elswit) to vividly recreate the electrifying atmosphere of the CBS newsroom and the early years of television, Clooney (son of long-time Cincinnati newsman Nick Clooney) proves his directorial skill by juggling big themes and an esteemed ensemble cast, never stooping to simplification of ethically complex material. Good Night, and Good Luck is an instant classic, destined for all the accolades it so richly deserves. --Jeff Shannon

Learn More About Edward R. Murrow and Broadcast Journalism


George Clooney's Recommended Reading

G! eorge Clooney's Recommended Movies

The Edward R. Murrow Collection


Blindness (Harvest Book)

  • ISBN13: 9780156007757
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A city is hit by an epidemic of "white blindness" which spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and raping women. There is one eyewitness to this nightmare who guides seven strangers-among them a boy with no mother, a girl with dark glasses, a dog of tears-through the barren streets, and the procession becomes as uncanny as the surroundings are harrowing. A magnificent parable of loss and disorientation and a vivid evocation of the horrors of the twentieth century, Blindness has swept the reading public with its powerful portrayal of man's worst appetites and weaknesses-and man's ultimately ex! hilarating spirit. The stunningly powerful novel of man's will to survive against all odds, by the winner of the 1998 Nobel Prize for Literature.
In an unnamed city in an unnamed country, a man sitting in his car waiting for a traffic light to change is suddenly struck blind. But instead of being plunged into darkness, this man sees everything white, as if he "were caught in a mist or had fallen into a milky sea." A Good Samaritan offers to drive him home (and later steals his car); his wife takes him by taxi to a nearby eye clinic where they are ushered past other patients into the doctor's office. Within a day the man's wife, the taxi driver, the doctor and his patients, and the car thief have all succumbed to blindness. As the epidemic spreads, the government panics and begins quarantining victims in an abandoned mental asylum--guarded by soldiers with orders to shoot anyone who tries to escape. So begins Portuguese author José Saramago's gripping story of! humanity under siege, written with a dearth of paragraphs, li! mited p unctuation, and embedded dialogue minus either quotation marks or attribution. At first this may seem challenging, but the style actually contributes to the narrative's building tension, and to the reader's involvement.

In this community of blind people there is still one set of functioning eyes: the doctor's wife has affected blindness in order to accompany her husband to the asylum. As the number of victims grows and the asylum becomes overcrowded, systems begin to break down: toilets back up, food deliveries become sporadic; there is no medical treatment for the sick and no proper way to bury the dead. Inevitably, social conventions begin to crumble as well, with one group of blind inmates taking control of the dwindling food supply and using it to exploit the others. Through it all, the doctor's wife does her best to protect her little band of blind charges, eventually leading them out of the hospital and back into the horribly changed landscape of the! city.

Blindness is in many ways a horrific novel, detailing as it does the total breakdown in society that follows upon this most unnatural disaster. Saramago takes his characters to the very edge of humanity and then pushes them over the precipice. His people learn to live in inexpressible filth, they commit acts of both unspeakable violence and amazing generosity that would have been unimaginable to them before the tragedy. The very structure of society itself alters to suit the circumstances as once-civilized, urban dwellers become ragged nomads traveling by touch from building to building in search of food. The devil is in the details, and Saramago has imagined for us in all its devastation a hell where those who went blind in the streets can never find their homes again, where people are reduced to eating chickens raw and packs of dogs roam the excrement-covered sidewalks scavenging from corpses.

And yet in the midst of all this horror ! Saramago has written passages of unsurpassed beauty. Upon bei! ng told she is beautiful by three of her charges, women who have never seen her, "the doctor's wife is reduced to tears because of a personal pronoun, an adverb, a verb, an adjective, mere grammatical categories, mere labels, just like the two women, the others, indefinite pronouns, they too are crying, they embrace the woman of the whole sentence, three graces beneath the falling rain." In this one woman Saramago has created an enduring, fully developed character who serves both as the eyes and ears of the reader and as the conscience of the race. And in Blindness he has written a profound, ultimately transcendent meditation on what it means to be human. --Alix Wilber

The Human Centipede

  • HUMAN CENTIPEDE, THE (DVD MOVIE)
100% Medically accurate.
The compelling simplicity of Saw. The stylish dread of Eraserhead. The black humor of A Nightmare On Elm Street. Those are the benchmarks of horror that the outrageous Dutch film The Human Centipede matches. The plot is diabolically simple: two stranded American tourists are given shelter by a famed German doctor (a maniacally intense Dieter Laser) who made his fortune surgically separating conjoined twins. Now his mad genius is pushing the doctor to do the reverse. He tells the women that they will be surgically attached to a Japanese businessman mouth to buttocks, one after the other and thus will be born a new creature: the human centipede! Compellingly perverse, hilarious, and shockingly straightforward, Dutch director Tom Six s new film is hands-down the most memorable horror film of the year.Equal parts Cronenbergian body hor! ror, perverse fetish film, and E.C. Comics-style gross-out, The Human Centipede is Dutch director Tom Six's uniquely macabre endurance test for fans of modern fright fare. What's surprising about the picture isn't the premise--its story, about a madder-than-mad doctor (German actor Dieter Laser) who unites two American tourists (Ashley C. Williams and Ashlynn Yennie) and a Japanese counterpart (Akihiro Kitamura) in a hideous surgical procedure that creates the title monstrosity, was broadcast in detail across the Internet prior to its international theatrical screenings--but rather, the degree of reserve Six applies to depicting every excruciating detail. That's not to say that Human Centipede is a bloodless affair, but Six relies more on the physical endurance and talent of his actors to present the mortal terror of their predicament, which in turn offers a more terrifying experience for the viewer than anything dreamed up by a special effects team. The appro! ach also makes up for some of the more crassly exploitive mome! nts in t he film, like the doctor's relentless abuse of his creation, which is largely clad only in filthy underwear, and Laser's occasional overacting, which at its most heated, suggests an unholy, highly medicated hybrid of Klaus Kinski, Lance Henriksen, and the late Howard Vernon's awful Dr. Orlof. Obviously, this is not for the casual horror fan, and most definitely not for the squeamish; more hard-core types should find their nerves thoroughly rattled by the time the film reaches its darker-than-dark conclusion. A final, disturbing note: the complete title is The Human Centipede (First Sequence); a planned sequel reportedly promises a 12-segment (gulp) creation. --Paul Gaita

A Good Old Fashioned Orgy Poster - 2011 Movie Teaser Flyer - Jason Sudeikis

  • Teaser Flyer to promote the 2011 Movie A Good Old Fashioned Orgy
  • A Good Old Fashioned Orgy Teaser Flyer
  • Size 11 x 17 inches approx (28 x 43 cm)
  • Window display/ Telephone Pole Flyer sized Poster
A gaggle of best friends from college decide to get even more intimate in A Good Old Fashioned Orgy. Eric (Jason Sudeikis, Horrible Bosses) throws notoriously loud, over-the-top parties at his father's beach house--so when his father decides to sell it, Eric feels he has to throw one last bash to say farewell. But this time, rather than a big public party, he and his friends (Lake Bell, Michelle Borth, Nick Kroll, Tyler Labine, Angela Sarafyan, Lindsay Sloane, and Martin Starr) decide to revive the 1970s with a private orgy. The movie harks back to raunchy 1980s R-rated comedies, but A Good Old Fashioned Orgy never finds its tone. Eric and his friends are se! lf-absorbed, dithering, and just not very interesting people; Eric, in particular, is a smarmy trust fund baby whose attraction to a lithe real-estate agent (Leslie Bibb, Popular) plays out like an adolescent crush… which would be charming if Eric were adolescent, but he's in his 30s. Maybe the idea is that this petty crew confront their emotional limitations when they try to be sexually adventurous, but the results are neither revelatory nor even surprising. It doesn't help that the guys are ordinary looking to outright schlubby, while the women are all model-thin (and yet, of course, neurotic about their attractiveness). Some flashes of humor here and there, but overall, a misfire. --Bret FetzerA Good Old Fashioned Orgy Flyer

Committed: A Love Story

  • ISBN13: 9780143118701
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The debut album from Committed, the winners of season two of the hit NBC a cappella competition series The Sing-Off. Their first single "Break Free" is an uplifting anthem laced with the group's well-known inspirational lyrics, co-written by the group's own, Therry Thomas. Formed in Huntsville, Alabama in 2003, the group, comprised of Dennis "DJ" Baptiste, Tommy Gervais, Geston Pierre, Robert Pressley, Maurice Staple and Theron "Therry" Thomas, arrange all of their own music using only their vocals as instruments to emulate a full band sound.
"We are influenced by a lot of different music, so the album is an eclectic mix---jazz, gospel, blues and R&B all wrapped into one sound," Committed says about! the album. "It's different and edgy, there's a little bit of something for everybody."The #1 New York Times bestselling follow-up to Eat, Pray, Love--an intimate and erudite celebration of love.

At the end of her memoir Eat, Pray, Love, Elizabeth Gilbert fell in love with Felipe, a Brazilian living in Indonesia. The couple swore eternal love, but also swore (as skittish divorce survivors) never to marry. However, providence intervened in the form of a U.S. government ultimatum: get married, or Felipe could never enter America again. Told with Gilbert's trademark humor and intelligence, this fascinating meditation on compatibility and fidelity chronicles Gilbert's complex and sometimes frightening journey into second marriage, and will enthrall the millions of readers who made Eat, Pray, Love a number one bestseller.


Thursday, November 17, 2011

Cherish

  • ISBN13: 9780380799367
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Enhanced CD features Cherish's acclaimed "How To Snap" from the Cherish DVD. Also includes the "Do It To It" video featuring Sean Paul, of the YoungBloodZ.

He Longed for...

Race Spencer's gunslinging days are far behind him. He is now a rugged, respectable rancher, but it's a solitary life. Then Fate leads Race to an earthbound angelâ€"lost and alone' the sole survivor of an outlaw attackâ€"and even his hardened heart is moved. He sweeps the ivory-skinned beauty into his arms and carries her away from danger.

A Woman to Cherish

When innocent Rebecca Morgan wakes up in a stranger's embrace, her life has been changed forever. Race's touch makes her blood sing and stirs up emotion! s in her she never knew existed. But this man has a fearsome reputation. And though her life may depend on him, can she trust him? Is it love she sees in her rescuer's dark eyes.?

Race Spencer's gunslinging days are far behind him. He is now a respectable racher, but it's a solitary life. But then Fate lead Race to an earthbound angelâ€"lost and alone, the sole survivor of an outlaw attackâ€"and even his hardened heart is moved. He sweeps the ivory-skinned beauty into his arms and carries her away from danger. When innocent Rebecca Morgan wakes up in a stranger's embrace, she knows her life has been changed forever. Though Race's touch makes her blood sing and stirs up emotions in her she never kenw existed, she knows this man has a fearsome reputation. And though her life may depend on him, she doesn't know if she can trust him. Can it really be love she sees in her rescuer's dark eyes?

Gunslinger turned rancher, Race Spencer has little knowledge of chaste women! . But he's forced to learn when he rescues Rebecca Morgan, the! soul s urvivor of a church group attacked by a band of outlaws anxious to steal the church's money. When Race interrupts their assault before the money is found, a gun battle ensues. Now Race must keep Rebecca safe from the outlaws who are eager to get their hands on the money no matter what the cost. This rough-hewn hero and beautiful heroine's life experiences are light years apart: innocent Rebecca, sheltered from the world by her religion, and cynical Race, who grew up in a world of prejudice and violence, with his physical size and swift gun as his only protection. But they miraculously find a common ground and learn to love each other, making Cherish an emotional read. Don't miss it. --Lois Faye Dyer

Best in Show

  • The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives -- the Mayflower Dog Show.Running Time: 89 min. System Requirements: Starring: Jennifer Coolidge, Christopher Guest, John Michael Higgins, Michael Hitchcock
A BLUE RIBBON LOOK AT DOG SHOW PARTICIPANTS AND THE POOCHES WHO LOVE THEM.Christopher Guest, the man behind Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows. Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in ! front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format of Spinal Tap and Guffman, Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script, Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a t! estament to both the talent of the actors and Guest's discern! ing eye. --Bret Fetzer

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