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- BREAKING UPWARDS (DVD MOVIE)
Wednesday, November 30, 2011
Breaking Upwards
Dig!
- Running Time 107 Min System Requirements: Filmed over seven years (1996-2002) and culled from over 1500 hours of footage by rising director Ondi Timoner, DIG! plunges into the underbelly of rock n roll unearthing an amazing true tale of success, self destruction, friendship, and the ultimate rivalry between two up-and-coming bands; Brian Jonestown Massacre led by the tormented, self-destructi
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Italian fabulist Italo Calvino observed that there are two kinds of artists--those who are prolific and successful, and the tortured geniuses, each gazing at the other in deep jealousy and admiration. The two rock bands chronicled in the documentary DiG! fall easily into this equation. On the side of the tortured geniuses is the Brian Jonestown Massacre, led by the psychedelic and volatile Anton Newcombe. Portland's the Dandy Warhols, fronted by Courtney Taylor, fulfill the role of the artists who, while unable to plumb the artistic depths of their friendly rivals, achieve a fair degree of popular acclaim (in Europe, anywa! y). Shot over seven years and containing some astonishingly in! timate f ootage, the film represents a labor of love for director Ondi Timoner, who befriended, lived, and traveled with the bands. DiG! will likely be most remembered for a remarkable scene of rock and roll implosion--a show in LA's Viper Room after which the Brian Jonestown Massacre were expected to ink a record deal. Instead, the band erupted in a fist fight onstage. Among themselves.
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Does it go uphill or downhill from here? Depends on your definition of the terms. While! dooming their careers, the Brian Jonestown Massacre manage to crank out an insane number of self-distributed albums--including three records in a single year. Courtney Taylor and the Dandies regard the musical output of their peers worshipfully and find themselves virtually ignored stateside but huge stars across the pond. While tens of thousands of fans in Germany and the UK sing along to every word at sold-out festivals headlined by the Dandies, Newscombe leads his crew in a nine-hour set in a dingy club for an audience of ten. Throughout the film there are controlled substances imbibed, clothing shed, sitars broken, punches thrown, arrests made. Taylor performs double duty as narrator of the film, begging the question of whether to accept his assertion that he fronts "the most well-adjusted band in America" at face value. The destined-for-greater-things Joel Gion, BJM's tambourine player, is the thief of every scene in which he appears, playing Flavor Flav to Newscombe'! s Chuck D. For those who want even more immersion, the DVD inc! ludes th e option to "zoom," or expand, various scenes--a very cool feature. Those responsible for the hilarious excesses of DiG! have made a movie worthy of being mentioned in the same breath as This Is Spinal Tap, as mixed an honor as that might be.
DVD Features
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The second of this set's two discs is practically its own sequel. Director Ondi Timoner had 1500 hours of footage to work with, so there was plenty of good material left on the cutting-room floor that found its way onto this supplemental disc. The deleted scenes include an unintentionally haunting pre-9/11 interview on a New York! rooftop with BJM's Anton Newcombe; the twin towers loom behind the singer as he attempts to justify singing about love yet engaging in violence, drawing tenuous parallels between himself and militant prophets throughout history. This, and Newcombe's delight in listening to Charles Manson's musical recordings, is about as heavy as it gets, though. Other extras include various videos by the bands, with the conspicuous absence of the Dandy Warhol's David LaChapelle-directed "Not if You Were the Last Junkie on Earth." (The omission is understandable in light of the Dandies' sour grapes over the $400,000 video.) The Where Are They Now features find various members of the bands a little older and reflective, with new families and new gigs, reminiscing fondly on the seven years spent under Timoner's watchful spycam. As is the case with the film proper, the mood picks up whenever Joel Gion appears. When is this guy going to get his own talk show? For fans of Timoner's commentary o! n disc 1 there is--get this--footage of the director and her p! artners recording that commentary. Why there's no footage of Timoner watching and commenting on the footage of herself recording the commentary is anyone's guess. --Ryan Boudinot
Dig These Discs by the Brian Jonestown Massacre
 Tepid Peppermint Wonderland: A Retrospective |  Strung Out in Heaven |  Bravery Repetition & Noise |
 And This Is Our Music |  Thank God for Mental Illness |  Bringing It All Back Home Again |
Dig These Discs by the Dandy Warhols
 Welcome to the Monkey House | Thirteen Tales from Urban Bohemia |  The Dandy Warhols Come Down |
Dig These Documentaries (and One Classic Mockumentary) on DVD
 This Is Spinal Tap (Special Edition) |  Metallica: Some Kind of Monster |  Hype |
 X (The Band): The Unheard Music |  End of the Century: The Story of the Ramones |  Gimme Shelter |
Household Tales by Brothers Grimm
- ISBN13: 9781604444117
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Delorean Back To The Future, Part III
- 1:24 Scale Diecast Metal
- Opening Doors and moving parts
Genre: Family
Rating: PG
Release Date: 10-FEB-2009
Media Type: DVDShot back-to-back with Back to the Future II, this final chapter in the series is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Michael J. Fox's character ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of a gunman. Director Robert Zemeckis successfully blends exciting special effects with the traditions of a Western, and comes up with something original and fun. --Tom Keogh Experience one of the most popular movie series of all time like never before with the Back to the Future 25th Anniversary Trilogy! Join Marty McFly (Michael J. Fox), Doc Brown (Christopher Lloyd) and a time travel! ing DeLorean for the adventure of a lifetime as they travel to the past, present and future, setting off a time-shattering chain reaction that disrupts the space time continuum! From filmmakers Steven Spielberg, Robert Zemeckis and Bob Gale, these timeless films feature all-new 25th Anniversary restorations for enhanced picture and sound plus hours of exciting bonus features.Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the hum! orous ideology of the '50s, filtered through the knowledge of ! the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas
Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh
Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is le! ss hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom KeoghShot back-to-back with Back to the Future II, this final chapter in the series is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Michael J. Fox's character ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of a gunman. Director Robert Zemeckis successfully blends exciting special effects with the traditions of a Western, and comes up with something original and fun. ! --Tom Keogh This highly realistic 1:24 scale diecast metal! replica from the Universal Studios movie Back To The Future Part 3 is 7 inches long and comes with fine details such as opening doors and adjustable steering.
Bugsy Malone [Blu-ray]
- UK Import
- Blu-ray
- Region-Free
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Bugsy: Extended Cut special features
Anyone who's heard how intense (or perhaps the word is "torturous") it can be to make a film with Warren Beatty will be captivated by the behind-the-scenes extras on the Bugsy: Extended Cut DVD. The highlight is the chat among screenwriter James Toback, director Barry Levinson, and star and co-producer Beatty on how the project and the final film came to be. Tellingly, Beatty is sitting quite apart from the other two, though they're in a semi-circular banquette at Perino's in Los Angeles.
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The conversation starts out slowly, ! with Tob ack, a genial blowhard, talking about losing the original script, but it picks up steam when the topic turns to the casting of the excellent actors in the film, including Sir Ben Kingsley and Elliott Gould, who also participate. And of course the most interesting off-screen component of the project--Beatty meeting his future wife, costar Annette Bening--is given a fun spotlight in the film. Levinson remembers that after meeting Bening for the first time, Beatty called him enthusiastically saying, "She's great, I love her, I'm going to marry her" ("you know, just a throwaway line," Levinson says, laughing), and Toback and Levinson and Bening herself talk about the signs the two were slowly falling in love. It's as dishy as anything you're likely to see about the notoriously private Beatty, and well worth the investment.
Other extras include several deleted scenes ! that are now included in the film (and unlike many other "extended cut" releases, actually enhance the depth of the story). One is a harrowing scene in which Bugsy contemplates, and nearly commits, suicide, via Russian roulette. Another is an amusing screen test that Siegal takes, thinking his roguish charm will translate to the big screen. Though it takes Beatty's considerable talents to make that happen, the earnestness of Siegal's outsider character is touching in glimpses like this. --A.T. Hurley
Beyond Bugsy
 Other Gangsters films on Amazon.com |  More Films staring Warren Beatty |  See the true story |
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Bugsy represents an almost miraculous combination of director, writer, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) an! d Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambit! ion to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff ShannonAsian release of award winning DVD directed by Alan Parker (1976) and starring Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. In! stead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. Multi winners of BAFTA Awards. Original English dialogue with English/Chinese subtitles. Digital Dolby/5.1. NTSC. Panorama Ent. 2002.Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the mo! vie climaxes cheerfully with the biggest custard pie fight thi! s side o f Casino Royale (1967).
Unfortunately for a musical, Paul Williams's score--part honky-tonk jazz homage, part 1970s Elton John-style pop--lets the side down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. DalkinImport only Blu-Ray pressing. Region All. Special features include, Promotional Trailers, Photo Gallery, 'From Sketch to Screen' featurette. 1080p / 16:9 - 1.78:1. Dolby Digital 5.1. This award winning film directed by Alan Parker (1976) stars Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, th! e prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. ITV. 2008.Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the movie climaxes cheerfully with the biggest custard pie fight this side of Casino Royale (1967).
Unfortunately for a musical, Paul Williams's score--par! t honky-tonk jazz homage, part 1970s Elton John-style pop--let! s the si de down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. Dalkin
Tuesday, November 29, 2011
Sony DVP-SR200P/B DVD Player, Black
Sony’s DVP-SR200P is a versatile DVD player with many features at an affordable price. It delivers excellent picture and sound quality so you get the most out of your movies and use it to share photos with friends and families. The Precision Drive 3 system allows you to playback some DVDs that may have been damaged without a degradation of picture quality. In addition to being an excellent DVD player, it can also be used as your CD or MP3 player. A perfect complement to your TV.
The Sony DVP-SR200P delivers excellent picture and sound quality.
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Key Features
Precision Drive 3 System: Past generations of Precision Drive systems were only able to compensate for warped discs by moving the entire optical block, which took more time and limited the amount of correction possible. Sony's new Precision Drive 3 system simplifies the process by moving the lens-instead of the entire optical block-for faster and more accurate error correction.
MP3 Playback: Playing MP3 music on a Sony DVD Player is easy. Just insert an MP3 encoded disc and press MENU. A blue screen pops up to Display your folders. Scroll down the list using the remote or front panel cursor control to select the folder you want. The green files screen pops up to show the files in the selected folder. Select the file you want to hear and start listening.
Fast/Slow Playback with Sound: Fast and slow playback with sound lets you advance through s! cenes quickly without missing the dialog.
! Multi-Br and TV Remote Control: Switching back and forth between remote controls while watching television or a movie is a hassle. The remote control included with the DVP-SR200P allows you to operate most major brands of television and this DVD player.
Bilingual Carton Design (English and Spanish)
Progressive Output (480p)
DVD-RW (Video & VR mode) DVD-R/DVD+RW/DVD+R Playback
12 Bit Video DAC with 108Mhz Processing
Dolby Digital De! coding Compatible
Specifications
- Digital-to-Analog Converter: 6 Bit, 192 kHz
- CD Playback: (CD, CD-R, CD-RW)
- Dolby, Dolby Digital, Dolby Digital Decoding
- MP3 Playback
- Instant Replay/Search
- Multiple Disc Resume
- Disc Capacity: 1
- Energy Star Compliant: Yes
- Tray Type: Single Tray
- Coaxial Audio Digital Output: 1 (Rear)
- Component Video (Y/Pb/Pr) Output: 1 (Rear)
- Composite Video Output: 1 (Rear)
- RCA Audio Output: 1 (Rear)
- Power Requirements: AC 120V, 60Hz
- Dimensions (depth x height x width): 8.23 in. x 1.26 in. x 12.6in.
What's in the Box
DVP-SR200P DVD player, remote control (with batteries), A/V cable, operating instructions
The Horse Whisperer
- After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches
#1 NEW YORK TIMES BESTSELLER
His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.
One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soot! hing words and a gentle touch. Just when it seems he can't be! found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.
Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act! as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1Â NEW YORK TIMESÂ BESTSELLER
His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.The Horse Whisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear up! on reading the touching tale.
One morning while teenage ! Grace Ma clean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married ! women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.
Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1Â NEW YORK TIMESÂ ! BESTSELLER
His name is Tom Booker. His voice can ca! lm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraor! dinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's soug! ht out by a fast-lane New York magazine editor (Kristin Scott ! Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon
Donkey Punch [Unrated]
- Three hot girls, four guys, and one mega-swanky yacht collide for a serious night of drugs and sexual deviancy. One debaucherous act goes too far though, turning this teen joy ride into a weekend of bloody bedlam. Format: DVD MOVIE Genre:Â MYSTERY/SUSPENSE Rating:Â NR MA Age:Â 876964001816 UPC:Â 876964001816 Manufacturer No:Â 10181
