Hell Ride

• The story deals with the characters Pistolero, the Gent and Comanche and the deadly, unfinished business among them. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 796019810876 UPC: 796019810876 Manufacturer No: 81087

Actor Larry Bishop, who made his name in the '60s as the star of biker pictures like The Savage Seven, revives the genre with Hell Ride, a rough and raunchy action-drama produced by indie director and cult film aficionado Quentin Tarantino. Bishop, who wrote, produced and directed the film, is also top-billed as Pistolero, chief of the outlaw Victors, who cruise the sunbaked Southwest to avenge a fallen mama. Their target is Billy Wings (Vinnie Jones), head man for the Six-Six-Sixes, and Michael Madsen, David Carradine and Dennis Hopper (himself no stranger to biker flicks) are along to make sure that the job is completed. As pure exploitation,! Hell Ride delivers the goods: the cast overacts with relish, and the on-screen excitement is divided equally between chopper action, fistfights and shootouts and plentiful female nudity, all set to a soundtrack of new and vintage fuzztone rock. However, those expecting the complexity and sheer cheek of Tarantino's own features may find the picture a little too retro-minded for their own tastes, and Bishop's pulpy dialogue is more overcooked than Tarantino at his most self-indulgent. Still, those craving old-school cycle movie satisfaction are likely to find that action with Hell Ride. Bishop is front and center for the DVD commentary, in which he explains in the most passionate of terms how he conceived and executed the project with Tarantino's help; featurettes on the cast (split between male and female) are brief and flashy, with "The Guys of Hell Ride" providing the most juice by focusing on the veteran actors. There's also a look at the film! 's custom made bikes, but the most "special" of the Special Fe! atures i s Michael Madsen's video diary, which gives amusing insight into his distinctly offbeat perspective. -- Paul Gaita

Stills from Hell Ride (Click for larger image)

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Actor Larry Bishop, who made his name in the '60s as the star of biker pictures like The Savage Seven, revives the genre with Hell Ride, a rough and raunchy action-drama produced by indie director and cult film aficionado Quentin Tarantino. Bishop, who wrote, produced and directed the film, is also top-billed as Pistolero, chief of the outlaw Victors, who cruise the sunbaked Southwest to avenge a fallen mama. Their target is Billy Wings (Vinnie Jones), head man for the Six-Six-Sixes, and Michael Madsen, David Carradine and Dennis Hopper (himself no stranger to biker flicks) are along to make sure that ! the job is completed. As pure exploitation, Hell Ride! deliver s the goods: the cast overacts with relish, and the on-screen excitement is divided equally between chopper action, fistfights and shootouts and plentiful female nudity, all set to a soundtrack of new and vintage fuzztone rock. However, those expecting the complexity and sheer cheek of Tarantino's own features may find the picture a little too retro-minded for their own tastes, and Bishop's pulpy dialogue is more overcooked than Tarantino at his most self-indulgent. Still, those craving old-school cycle movie satisfaction are likely to find that action with Hell Ride. Bishop is front and center for the DVD commentary, in which he explains in the most passionate of terms how he conceived and executed the project with Tarantino's help; featurettes on the cast (split between male and female) are brief and flashy, with "The Guys of Hell Ride" providing the most juice by focusing on the veteran actors. There's also a look at the film's custom made bikes, but the! most "special" of the Special Features is Michael Madsen's video diary, which gives amusing insight into his distinctly offbeat perspective. -- Paul Gaita

Stills from Hell Ride (Click for larger image)

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Casino Jack and the United States of Money

• This portrait of Washington super-lobbyist Jack Abramoff, from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah, confirms the adage that truth is indeed stranger than fiction.  A tale of international intrigue involving casinos, spies, sweatshops and mob-style killings, this is a story of the way money corrupts our polit

Two-time Academy Award® Winner Kevin Spacey delivers a “bravura performance” (The New Yorker ) in this “uproarious, riveting and wickedly hilarious” (Elle ) film inspired by a true story. Spacey stars as Jack Abramoff, the real-life Washington power player who resorted to jaw-dropping levels of fraud and corruption. High-rolling excess and outrageous escapades are all in a day’s work for Abramoff, as he goes to outrageous lengths to promote the Indian gambling industry, earning him the nickna! me “Casino Jack.” But when Jack and his womanizing protégé Michael Scanlon (Barry Pepper) enlist a dimwitted business partner (Jon Lovitz) for an illegal scheme, they find themselves ensnared in a web of greed and murder that explodes into a worldwide scandal.The sordid tale of lobbyist Jack Abramoff and his greedy, felonious power plays during the glory days of the W. presidency are fine fuel for the antic romp Kevin Spacey turns out in Casino Jack. Spacey's signature twist of smug sincerity and self-satisfaction perfectly suits the portrait of a man whose morals are so corrupt and ego so glorified that he truly believes he's doing God's work at the same time he's swiping cash from every opportunistic situation he can wrangle. As a companion piece to Alex Gibney's equally entertaining documentary Casino Jack and the United States of Money, this comic rendering of a political life led with such impolitic indiscretion ramps the ridiculousness of Abramoff'! s schemes up several notches thanks to a liberal dose of drama! tic lice nse. Nevertheless, the events portrayed are real--the ploys to defraud Indian tribes, the bumbling forays of entrepreneurship, the ballsy attempts at misdirection once misdeeds spiral out of control--as are many of the major players. Director George Hickenlooper (who died at age 47 just days before the film's opening in late 2010) has no compunction about magnifying the ethical warts of historical players such as Tom DeLay, Ralph Reed, Grover Norquist, and Karl Rove as they act out the real-life sketch comedy of what really happened in the corridors of the Capitol and the conference rooms of K Street. Because it does come off as high-end sketch comedy, Casino Jack sometimes feels a little sketchy in its execution, but the cast is uniformly excellent in making scenes crackle with hilariously vituperative flair. Especially good are Barry Pepper as Abramoff's oily cohort, Jon Lovitz as a doltish, mobbed-up mattress salesman, and the late Maury Chaykin as a seemingly harm! less mafia functionary who's way more dangerous than his clownish exterior betrays. But the movie belongs to Spacey as a man obsessed with his own importance. This Abramoff, who worked as a C-list producer early in his career, still fancies himself a Hollywood-type player even as the A-list plots he scripts in Washington end up filled with holes. Spacey apes and mugs with typically borderline-manic panache, giving masterful insight into the master of a universe that exists almost entirely in his own avaricious mind. --Ted FryThis portrait of Washington super-lobbyist Jack Abramoff, from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah, confirms the adage that truth is indeed stranger than fiction. A tale of international intrigue involving casinos, spies, sweatshops and mob-style killings, this is a story of the way money corrupts our political process. Oscar®-winning filmmaker Alex Gibney illu! minates the way politicians' desperate need to get
elected ! and the millions of dollars it costs may be undermining the basic principles of American democracy. Infuriating, yet undeniably eye-opening and entertaining, CASINO JACK is a saga of greed and corruption with a cynical villain audiences will love to hate.As he proved in Enron: The Smartest Guys in the Room, Oscar-winning director Alex Gibney knows how to transform creative bookkeeping into compelling drama without dumbing things down. In his follow-up to Gonzo, a portrait of rabble-rouser Hunter S. Thompson, Gibney takes on disgraced GOP lobbyist Jack Abramoff (Stanley Tucci provides his voice in readings). Gibney begins with the Mob-style murder of a one-time associate before backtracking to Abramoff's days as chairman of the College Republicans, where he rubbed shoulders with Karl Rove and Ralph Reed--and impressed Ronald Reagan. Even as a student, however, there were signs of trouble as he laundered money through charities, a pattern he would repeat throughout the d! ecades, always on the lookout for new loopholes. Gibney proceeds through his dealings with the Contras, an Angolan dictator, Saipan sweatshops, and Indian casinos (the debacle in Angola led him to produce the right-wing shoot-'em-up Red Scorpion). Along the way, Abramoff ensnared lawmakers and government officials in his web as they traded political favors for campaign financing. As Bob Ney's chief of staff, Neil Volz, puts it, Abramoff "could talk a dog off a meat truck." When his house of cards finally came crashing down, Reed, Ney, Volz, Tom DeLay, and numerous others fell with him (all but Reed appear in the film). As in his other documentaries, Gibney juices the action with music cues that keep things lively, even if some of his choices are a little too on the nose, like Howlin' Wolf's "Back Door Man." --Kathleen C. Fennessy

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Henry Poole Is Here (2-disc W/soundtrack Cd)

• Bonus CD of Henry Poole Is Here soundtrack

Henry Poole is Here tells the funny, poignant and uplifting story of a disillusioned man who attempts to hide from life in a rundown suburban tract home only to discover he cannot escape the forces of hope.Henry Poole Is Here is an odd if enjoyable dramedy about everyone's need for a miracle now and then--though one person's miracle can easily be another's nightmare. Henry Poole (Luke Wilson) is a misanthropic loner who attempts to buy a specific house at any price and is rebuffed. Instead, he buys another house in some need of repair but brushes off any discussion of improvement, mysteriously claiming he's not going to be living in it very long. Uncertain what that means, Henry's neighbors learn to give him some distance, until Esperanza (Adriana Barraza) decides she can see the face of Jesus Christ in a water stain on Henry's house. In sho! rt order, Esperanza has alerted her church and friends, and a disgruntled Henry's backyard is full of true believers. Directed by Mark Pellington (Arlington Road), Henry Poole Is Here occasionally finds itself awash in treacle and sincerity, especially where Henry's developing relationship with a single mom (Radha Mitchell) and her near-mute child are concerned. But the film never alienates viewers disinclined to believe in iconic apparitions, adding a neat twist toward the end that makes Henry's rage against Esperanza's faith work for and not against him. Making the whole enterprise worthwhile is Wilson's fine performance as a man who has given up on everything (for reasons that eventually become clear in the story) but, in fact, wants nothing more than to embrace life. --Tom Keogh

Stills from Henry Poole is Here (click for larger image)

Beyond Henry Poole Is Here

Henry Poole Is Here [Blu-ray]

More from Luke Wilson - Bottle Rocket - Criterion Collection

More from Anchor Bay - Surfer, Dude

Henry Poole is Here tells the funny, poignant and uplifting story of a disillusioned man (Luke Wilson) who attempts to hide from life in a rundown suburban tract home only to discover he cannot escape the forces of hope.Henry Poole Is Here is an odd if enjoyable dramedy about everyone's need for a miracle now and then--though one person's miracle can easily be another's nightmare. Henry Poole (Luke Wilson) is a misanthropic loner who attempts to buy a specific house at any price and is rebuffed. Instead, he buys another house in some need of repair but brushes off any discussion of improvement, mysteriously claiming he's not going to be living in it very long. Uncertain what that means, Henry's neighbors learn to give him some d! istance, until Esperanza (Adriana Barraza) decides she can see! the fac e of Jesus Christ in a water stain on Henry's house. In short order, Esperanza has alerted her church and friends, and a disgruntled Henry's backyard is full of true believers. Directed by Mark Pellington (Arlington Road), Henry Poole Is Here occasionally finds itself awash in treacle and sincerity, especially where Henry's developing relationship with a single mom (Radha Mitchell) and her near-mute child are concerned. But the film never alienates viewers disinclined to believe in iconic apparitions, adding a neat twist toward the end that makes Henry's rage against Esperanza's faith work for and not against him. Making the whole enterprise worthwhile is Wilson's fine performance as a man who has given up on everything (for reasons that eventually become clear in the story) but, in fact, wants nothing more than to embrace life. --Tom Keogh

Stills from Henry Poole is Here (click for larger image)

Beyond Henry Poole Is Here

Henry Poole Is Here

More from Luke Wilson- Bottle Rocket - Criterion Collection [Blu-ray]

More from Anchor Bay - Surfer, Dude + Digital Copy [Blu-ray]

"Henry Poole Is Here" stars Luke Wilson as Henry Poole, a disillusioned man who attempts to hide from life only to discover he cannot escape the forces of hope. Shattered by circumstances beyond his control, Henry Poole settles in to suburban isolation, but his well-meaning busybody neighbor (Adriana Barraza) destroys his exile when she discovers a mysterious stain on Henry's stucco wall that is sent to have miraculous powers. With the help of the beautiful young divorcee next door (Radha Mitchell) and her daughter Millie (Morgan Lily), Henry finds himself gradually drawn back towards life as he realizes his plan to live out his days in quiet desperation is going to be much harder than he ever imagined. Cheryl Hines and George Lopez also star in this modern day tale about the unexpected wonders of the everyday from director Mark Pellington.

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Seafolly Women's Avant Garden Vintage Skirted Pant, Coral, 8

• Ruffled detail
• Top stitch waist

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Dodgeball - A True Underdog Story (Full Screen Edition)

• brings a lot of laughs

Studio: Tcfhe Release Date: 12/09/2008 Run time: 92 minutes Rating: Pg13How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo G! ym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleur (Vaughn) and his Average Joes take on the Purple Cobras, led by egomaniacal fitness guru, White Goodman (Stiller). It's an over-! the-top underdog tale filled with hilarious sight gags and bal! ls-out f un!How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (includin! g Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleur (Vaughn) and his Average Joes take on the Purple Cobras, led by egomaniacal fitness guru, White Goodman (Stiller). It's an over-the-top underdog tale filled with hilarious sight gags and balls-out fun!How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weeken! d competition, and 29-year-old writer-director Rawson Marshall! Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughn) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughn and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughn, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Han! k Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleHow's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp i! n which the underdog owner of Average Joe's Gym (Vince Vaughan! ) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff Shannon

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Aqua Teen Hunger Force Colon Movie Film for Theaters for DVD

• The Aqua Teen Hunger Force movie establishes the origins of the Aqua Teens and attempts to explain the back story to some age-old mysteries that have surrounded the Aqua Teens. Or does it? No one really knowsRunning Time: 166 min. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 053939791921 UPC: 053939791921 Manufacturer No: T7919

The Aqua Teen Hunger Force movie establishes the origins of the Aqua Teens and attempts to explain the back story to some age-old mysteries that have surrounded the Aqua Teens. Or does it? No one really knows

DVD Features:
Alternate endings
Deleted Scenes
Featurette
Music Video
Other
Photo gallery
Theatrical Trailer

Fans of Cartoon Network’s Aqua Teen Hunger Force series (part of the cable channel’s Adult Swim programming) know what they’re in for with this feature! -length extension of the nearly-indescribable animated show. Set in a rundown, Jersey suburb, Aqua Teen concerns the misadventures of three human-size characters who happen to be fast food refuse: the crude Master Shake, a discarded milkshake in a cup similar to those from McDonalds; skeptical Frylock, a flying, cardboard box of french fries; and the personable Meatwad, a piece of expired, red beef of unknown origin. Together, they go in search of a missing piece of an exercise machine that happens to be more than an exercise machine, placing them on a collision course with the likes of Oglethorpe and Emory, a pair of jagged, ridiculous creatures from the future who travel with a robot companion claiming to be the Ghost of Christmas Past. They also encounter Dr. Weird, a mad scientist given to disguises and who seeks revenge against the Hunger Force; McPee Pants, a rapping spider who wears a shower cap and diaper; and the hilarious Ignignokt and Err, two-dimensional ! villains from the ancient days of pokey, Atari video games. Da! ve Willi s and Matt Maiellaro, series creators and writers-directors on Aqua Teen Hunger Force Colon Movie Film for Theaters, are wildly entertaining class clowns, but they expect the rest of us to follow them into their surreal world of postmodern animated nuttiness. The rewards, however, are plentiful. --Tom Keogh

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Game 6

• Written by award-winning novelist Don DeLillo (WHITE NOISE, UNDERWORLD) and directed by Michael Hoffman (SOAPDISH, ONE FINE DAY), GAME 6 is a smart psychological study of a man unable to face the reality of his life. Michael Keaton stars as Nickey Rogan, a successful playwright of Broadway fluff whose new, serious play is scheduled to open on October 25, 1986 -- the same night his beloved Boston R

Playwright nicky rogan is a die-hard red sox fan who has lived his entire life in new york city. Nickys new play is opening on october 25 1986 is the same day of that historic event game 6 of the 1986 world series. Will nickysprofessional & personal fortunes rise & fall with that of his beloved red sox? Studio: Arts Alliance America Release Date: 11/28/2006 Starring: Michael Keaton Griffin Dunne Run time: 87 minutes Rating: RGame 6, the first produced screenplay by acclaimed novelist Don! DeLillo (White Noise), follows the obsession of a playwright, Nicky Rogan (Michael Keaton), whose beloved jinxed Red Sox are playing game six of the 1986 World Series--the same night Rogan's new play opens on Broadway. The stories that intersect to construct this ominous character study are woven by stellar performances by a first-rate cast, including Keaton, who gives a not-quite-unraveled reading that reminds us what a strong character actor he can be. Around Keaton is a fine ensemble, including a brittle Catherine O'Hara as his estranged wife ("Nicky, I'm seeing a prominent divorce attorney." "How prominent?" "He has his own submarine."); Bebe Neuwirth as his high-strung paramour; Griffin Dunne as an unglued fellow writer; and Robert Downey Jr. as a Buddhist theater critic whose ruinous reviews are as deadly as the loaded gun he takes to premieres. If the plot is a little far-fetched (and the climactic scene preposterous), the audacious writing and gripping perfo! rmances more than make up for it. As Rogan says, "Winning is e! asy; los ing is complicated." --A.T. Hurley

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Cruel Hoax: Feminism and the New World Order

• ISBN13: 9780968772515
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

When urbane architect, Phil Williams, must bring a woman home to quell rumors he's gay, his only choice is the one woman least likely to impress: his dowdy receptionist.

Margot Manning has been secretly in love with Phil for years. She's just quit her job and is ready to begin her life anew as a nurse. Phil's outrageous offer is one she can't refuse. As Margot readies to accompany Phil to his hometown, she steels herself for heartbreak.

After Margot's makeover and a weekend spent attached at the hip, Phil admits he misjudged his former employee. He's ready to pursue her in earnest, if only her scandalous past didn't stand in their way.When urbane architect, Phil Williams, must bri! ng a woman home to quell rumors he's gay, his only choice is the one woman least likely to impress: his dowdy receptionist.

Margot Manning has been secretly in love with Phil for years. She's just quit her job and is ready to begin her life anew as a nurse. Phil's outrageous offer is one she can't refuse. As Margot readies to accompany Phil to his hometown, she steels herself for heartbreak.

After Margot's makeover and a weekend spent attached at the hip, Phil admits he misjudged his former employee. He's ready to pursue her in earnest, if only her scandalous past didn't stand in their way.Blood pressure drugs guarantee you will get worse, for they actually deplete the nutrients that cause high blood pressure, making sure you will need even more medications. They also shrink the brain and raise your risk of heart attack, senility and blindness. High blood pressure is not a deficiency of blood pressure-lowering drugs. But there are dozens of ways you can perman! ently cure your high blood pressure without drugs. And since healthy blood vessels determine the longevity of every organ in the entire body, you need this book even if you don't have high blood pressure, for vascular health is key to total body health and longevity. First of all every single cell of your body depends on the health of your blood vessels that supply them. If you don't want to get Alzheimer's, then you need a healthy brain, but it is only as healthy as its blood supply. Likewise, if you don't want cancer (or you are trying to heal it), it starts (and spreads) in areas of poor circulation. The High Blood Pressure Hoax will show you that for every ailment even one as simple as high blood pressure, there are multiple causes and multiple cures. You have a lot to choose from. In fact, I would suggest you read the entire book before you chose your program. For by understanding how the various causes work, you (who know your body and medical history better than anyone else) have the optimum opportunity for choosing the best solution for you. This is the ultimate plan for vascular health, but it doesn't stop there. It also continues on from where Detoxify or Die left off and takes you to more powerful levels of detoxification. I can't wait to empower you! So let's get started.

What does it mean to be authentic? For many, the search for the authentic provides a powerful source of meaning in a secular age, allowing a person a unique personal identity in a world that seems alienating and conformist. This demand for authenticityâ€"the honest or the realâ€"is one of the most powerful movements in contemporary life, influencing our moral outlook, political views, and consumer behavior.

Yet according to Andrew Potter, when examined closely, our fetish for "authentic" lifestyles or experiencesâ€"organic produce and ecotourism, bikram yoga and performance art, the cult of Oprah and the obsession with Obamaâ€"is actually a form of exclusionary status seeking. The result, he argues, is modernity's malaise: a com! petitive, self-absorbed individualism that creates a shallow consumerist society built on stratification and one-upmanship that ultimately erodes genuine relationships and true community.

Weaving together threads of pop culture, history, and philosophy, The Authenticity Hoax reveals how our misguided pursuit of the authentic exacerbates the artificiality of contemporary life that we decry. Potter traces the origins of the authenticity ideal from its roots in the eighteenth century through its adoption by the 1960s counterculture to its centrality in twenty-first-century moral life. He shows how this ideal is manifested through our culture, from the political fates of Sarah Palin and John Edwards to Damien Hirst and his role in contemporary art, from the phenomenon of retirement as a second adolescence to the indignation over James Frey's memoir. From this defiant, brilliant critique, Potter offers a way forward to a meaningful individualism that makes peace ! with the modern world.

Cholesterol is not the biggest caus! e of hea rt disease nor is it predictive of heart disease. In fact, over half the folks who die of a heart attack never had high cholesterol. But they did have other warnings that could have saved their lives, had they been checked. And the cure for these is spelled out here via safe non-prescription nutrients. Cholesterol is merely the messenger, the smoke detector, alerting you to a curable problem. Why shoot the messenger with a drug when you can find the cause and cure once and for all?Here are wonders of the animal kingdom, bizarre social practices of the past and present, remarkable and compelling human achievements, and breath-taking tales of nature at its most unpredictable. The photographs do not lie, and this book proves the adage: Seeing is believing.The true details of the famous stories are here: What's really going on at Loch Ness; what does Roswell, New Mexico, tell us; and, what about that cloud that looked like Jesus during the Korean War? The surprising, little-known tales are here as well: the window washer who fell 47 floors and walked away; and, the Christmas burglar who got stuck in a chimney.As P.T.Barnum might say: "Strange but True" is a colossal compendium of crazy coincidences, peculiar people and astounding animals. Step right up!

Clinical studies sh! ow that cardiovascular intervention does not prevent heart attacks or prolong life in stable patients with coronary artery disease . . . so why are more than 1.5 million angioplasties and coronary bypass surgeries done annually in the United States alone? In The Great American Heart Hoax, esteemed cardiologist Michael Ozner, author of The Miami Mediterranean Diet, reveals groundbreaking truths about what actually helps prevent and reverse heart disease and what isn’t worth the money or risk. Discover disturbing realities from a cardiologist about the billion-dollar cardiovascular intervention industry. While a minority of patients may benefit from surgery, Ozner uncovers that the majority can employ much simpler methods, such as diet, exercise and medical therapy, to achieve better results—without stents or surgery. Most important, The Great American Heart Hoax provides a 10-step program to improve your heart health and reduce your risk of heart disease.

FEMINISM, H! OMOSEXUALITY AND HOW HETEROSEXUALITY WORKS -- Feminism, ! our offi cial gender ideology, masquerades as a movement for women's rights. In reality, feminism is a cruel hoax, telling women their natural biological instincts are "socially constructed" to oppress them. Feminism is elite social engineering designed to neuter both sexes. It makes women less fit for marriage and motherhood, and men unable to lead and sacrifice for family. As a result, both sexes suffer from arrested development. The Rockefellers and Rothschilds created feminism to poison male-female relations (divide and conquer.) Their objective is totalitarian world government. Why? These bankers create money out of nothing and think they are God. "Cruel Hoax" shows the connection between feminism, Communism and 9-11. It examines male-female relations and how we can take back our heterosexuality.

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